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The collection / 672 fragments

Character.

Explore passages mentioning character, virtue, honour. Topic suggestions use transparent word matching, not scholarly classification. Editorial meanings and lexical matches are discovery aids, not independent authentication of a quotation.

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01c. 1486 AD
I will not dwell on false physiognomy and chiromancy because there is no truth in them, and this is manifest because chimeras of this kind have no scientific foundation. It is true that the lineaments of the face partly reveal the character of men, their vices and temperaments; but in the face: (a) the features which separate the cheeks from the lips, and the nostrils and cavities of the eyes, are strongly marked if they belong to cheerful and good-humoured men, and if they are slightly marked it denotes that the men to whom they belong are given to meditation, (b) Those whose features stand out in great relief and depth are brutal and bad-tempered, and reason little, (c) Those who have strongly marked lines between the eyebrows are bad-tempered, (d) Those who have strongly marked lines on the forehead are men full of concealed or unconcealed bewailing. And we can reason thus about many features. But the hand? You will find that whole armies perished in the same hour by the sword in which no two men had similar marks in their hands, and the same argument applies to a shipwreck.
Leonardo da Vinci / quote
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04c. 1486 AD
There exists among the foolish a certain sect of hypocrites who continually seek to deceive themselves and others, but others more than themselves, though in reality they deceive themselves more than others. And these are they who blame the painters who study on feast-days the things which relate to the true knowledge of the forms of the works of nature, and sedulously strive to acquire knowledge of these things to the best of their ability. But such fault-finders pass over in silence the fact that this is the true manner of knowing the Artificer of such great and marvellous things, and that this is the true way in which to love so great an Inventor! For great love proceeds from the perfect knowledge of the thing loved; and if you do not know it you can love it but little or not at all; and if you love it for the gain which you anticipate obtaining from it and not for its supreme virtue, you are like the dog which wags its tail and shows signs of joy, leaping towards him who can give him a bone. But if you knew the virtue of a man you would love him more—if that virtue was in its place.
Leonardo da Vinci / quote
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05c. 1486 AD
Because writers have had no knowledge of the science of painting, they have not been able to describe its gradations and parts, and since painting itself does not reveal itself nor its artistic work in words, it has remained, owing to ignorance, behind the sciences mentioned above, but it has thereby lost nothing of its divinity. And truly it is not without reason that men have failed to honour it, because it does honour to itself without the aid of the speech of others, just as do the excellent works of nature. And if the painters have not described the art of painting, and reduced it to a science, the fault must not be imputed to painting and it is no less noble on that account, since few painters profess a knowledge of letters, as their life would not be long enough for them to acquire such knowledge. Therefore we ask, Is the virtue of herbs, stones and plants non-existent because men have been ignorant of it? Certainly not; but we will say that these herbs remained noble in themselves without the aid of human tongues or letters.
Leonardo da Vinci / quote
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07c. 1486 AD
Were a master to boast that he could remember all the forms and effects of nature, he would certainly appear to me to be graced with great ignorance, inasmuch as these effects are infinite and our memory is not sufficiently capacious to retain them. Therefore, O painter, beware lest in thee the lust of gain should overcome the honour of thy art, for the acquisition of honour is a much greater thing than the glory of wealth. Thus, for this and for other reasons which could be given, first strive in drawing to express to the eye in a manifest shape the idea and the fancy originally devised by thy imagination; then go on adding or removing until thou art satisfied; then arrange men as models, clothed or nude, according to the intention of thy work, and see that, as regards dimension and size, in accordance with perspective there is no portion of the work which is not in harmony with reason and natural effects, and this will be the way to win honour in thy art.
Leonardo da Vinci / quote
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11c. 1486 AD
Envy offends with false infamy, that is to say, by detraction which frightens virtue. Envy must be represented with the hands raised to heaven in contempt, because if she could she would use her power against God. Make her face covered with a goodly mark; show her as wounded in the eye by a palm-branch, and wounded in the ear by laurel and myrtle, to signify that victory and truth offend her. Draw many thunderbolts proceeding from her as a symbol of her evil-speaking. Make her lean and shrivelled up, because she is continual dissolution. Make her heart gnawed by a swelling serpent. Make her a quiver full of tongues for arrows, because she often offends with these. Make her a leopard's skin, because the leopard kills the lion through envy and by deceit. Place a vase in her hand full of flowers, and let it be full also of scorpions, toads and other reptiles. Let her ride Death, because Envy, which is undying, never wearies of sovereignty. Make her a bridle loaded with divers arms, because her weapons are all deadly. As soon as virtue is born it begets envy which attacks it; and sooner will there exist a body without a shadow than virtue unaccompanied by envy.
Leonardo da Vinci / quote
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12c. 1486 AD
A picture or a representation of human figures should be done in such a way that the spectator can easily recognize the purpose that is in their minds by their attitudes. If you have to represent a man of high character, let his gestures be such as harmonize with fair words; likewise, if you have to represent a man of low character, let his gestures be fierce, let him thrust his arms towards the listener, and let his head and chest be thrust forward in front of his feet, following the hands of the speaker. It is thus with a dumb man, who seeing two speakers, although he is deprived of hearing, nevertheless, owing to the attitudes and gestures of the speakers, understands the subject of their argument. I once saw at Florence a man who had become deaf by an accident, who, if you spoke loud to him, did not understand you, but if you spoke gently, without making any noise, he understood you merely by the movement of the lips. Now you can say, Does not one who talks loudly move his lips like one who talks softly? In regard to this I leave experiment to decide: make a man speak gently to you and note his lips.
Leonardo da Vinci / quote
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15c. 1486 AD
It is proved that the sun is by nature hot and not cold, as has already been stated. If rays of fire play on a concave mirror when it is cold, the rays refracted by the mirror will be hotter than the fire. The rays emitted from a sphere of glass filled with cold water, which are reflected from a fire, will be warmer than the fire. It follows from these two experiments that the heat of the rays reflected by the mirror or the sphere of cold water are hot by virtue, and not because the mirror or the sphere is hot; and in this case it occurs that the sun, passing through these bodies, heats them by its virtue. And owing to this they have inferred that the sun is not hot,—which by the aforesaid experiments has been proved to be exceedingly hot, by the experiment of the mirror and the sphere, which are cold in themselves, and reflect the hot rays of the fire and render them hotter, because the first cause is hot; and the same thing occurs as regards the sun, which, being hot in itself, and passing through these cold mirrors, refracts great heat. It is not the light of the sun which gives warmth, but its natural heat.
Leonardo da Vinci / quote
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16c. 1486 AD
This is a difficult question to answer, but I will nevertheless state my opinion. Water, which is clothed with air, desires naturally to cleave to its sphere because in this position it is without gravity. This gravity is twofold,—the gravity of the whole which tends to the centre of the elements, and the gravity which tends to the centre of the waters of the spherical orb; if this were not so the water would form a half sphere only, which is the sphere described from the centre upwards. But I see no means in the human mind of acquiring knowledge with regard to this. We must say, as we say of the magnet which attracts iron, that such a virtue is an occult property of which there is an infinite quantity in nature.
Leonardo da Vinci / quote
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18c. 1872 AD
Actors of Virtue and Sin.—Among the ancients who became celebrated for their virtue there were many, it would seem, who acted to themselves, especially the Greeks, who, being actors by nature, must have acted quite unconsciously, seeing no reason why they should not do so. In addition, every one was striving to outdo some one else's virtue with his own, so why should they not have made use of every artifice to show off their virtues, especially among themselves, if only for the sake of practice! Of what use was a virtue which one could not display, and which did not know how to display itself!—Christianity put an end to the career of these actors of virtue; instead it devised the disgusting ostentation and parading of sins: it brought into the world a state of mendacious sinfulness (even at the present day this is considered as bon ton among orthodox Christians).
Friedrich Nietzsche / quote
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19c. 1872 AD
Christianity and the Emotions.—In Christianity we may see a great popular protest against philosophy: the reasoning of the sages of antiquity had withdrawn men from the influence of the emotions, but Christianity would fain give men their emotions back again. With this aim in view, it denies any moral value to virtue such as philosophers understood it—as a victory of the reason over the passions—generally condemns every kind of goodness, and calls upon the passions to manifest themselves in their full power and glory: as love of God, fear of God, fanatic belief in God, blind hope in God.
Friedrich Nietzsche / quote
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20c. 1872 AD
The Saint's Humanity.—A saint had fallen into the company of believers, and could no longer stand their continually expressed hatred for sin. At last he said to them: “God created all things, except sin: therefore it is no wonder that He does not like it. But man has created sin, and why, then, should he disown this only child of his merely because it is not regarded with a friendly eye by God, its grandfather? Is that human? Honour to whom honour is due—but one's heart and duty must speak, above all, in favour of the child—and only in the second place for the honour of the grandfather!”
Friedrich Nietzsche / quote
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21c. 1872 AD
At the Death-bed of Christianity.—All truly active men now do without inward Christianity, and the most moderate and thoughtful men of the intellectual middle classes possess only a kind of modified Christianity; that is, a peculiarly simplified Christianity. A God who, in his love, ordains everything so that it may be best for us, a God who gives us our virtue and our happiness and then takes them away from us, so that everything at length goes on smoothly and there is no reason left why we should take life ill or grumble about it: in short, resignation and modesty raised to the rank of divinities—that is the best and most lifelike remnant of Christianity now left to us. It must be remembered, however, that in this way Christianity has developed into a soft moralism: instead of “God, freedom, and immortality,” we have now a kind of benevolence and honest sentiments, and the belief that, in the entire universe, benevolence and honest sentiments will finally prevail: this is the euthanasia of Christianity.
Friedrich Nietzsche / quote
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22c. 1872 AD
Our Valuations.—All actions may be referred back to valuations, and all valuations are either one's own or adopted, the latter being by far the more numerous. Why do we adopt them? Through fear, i.e. we think it more advisable to pretend that they are our own, and so well do we accustom ourselves to do so that it at last becomes second nature to us. A valuation of our own, which is the appreciation of a thing in accordance with the pleasure or displeasure it causes us and no one else, is something very rare indeed!—But must not our valuation of our neighbour—which is prompted by the motive that we adopt his valuation in most cases—proceed from ourselves and by our own decision? Of course, but then we come to these decisions during our childhood, and seldom change them. We often remain during our whole lifetime the dupes of our childish and accustomed judgments in our manner of judging our fellow-men (their minds, rank, morality, character, and reprehensibility), and we find it necessary to subscribe to their valuations.
Friedrich Nietzsche / quote
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23c. 1872 AD
Arousing Pity.—Among savages men think with a moral shudder of the possibility of becoming an object of pity, for such a state they regard as deprived of all virtue. Pitying is equivalent to despising: they do not want to see a contemptible being suffer, for this would afford them no enjoyment. On the other hand, to behold one of their enemies suffering, some one whom they look upon as their equal in pride, but whom torture cannot induce to give up his pride, and in general to see some one suffer who refuses to lower himself by appealing for pity—which would in their eyes be the most profound and shameful humiliation—this is the very joy of joys. Such a spectacle excites the deepest admiration in the soul of the savage, and he ends by killing such a brave man when it is in his power, afterwards according funeral honours to the unbending one. If he had groaned, however; if his countenance had lost its expression of calm disdain; if he had shown himself to be contemptible,—well, in such a case he might have been allowed to live like a dog: he would no longer have aroused the pride of the spectator, and pity would have taken the place of admiration.
Friedrich Nietzsche / quote
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24c. 1872 AD
Here are New Ideals to Invent.—At a time when a man is in love he should not be allowed to come to a decision about his life and to determine once and for all the character of his society on account of a whim. We ought publicly to declare invalid the vows of lovers, and to refuse them permission to marry: and this because we should treat marriage itself much more seriously, so that in cases where it is now contracted it would not usually be allowed in future! Are not the majority of marriages such that we should not care to have them witnessed by a third party? And yet this third party is scarcely ever lacking—the child—and he is more than a witness; he is the whipping-boy and scapegoat.
Friedrich Nietzsche / quote
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