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Actors of Virtue and Sin.—Among the ancients who became celebrated for their virtue there were many, it would seem, who acted to themselves, especially the Greeks, who, being actors by nature, must have acted quite unconsciously, seeing no reason why they should not do so. In addition, every one was striving to outdo some one else's virtue with his own, so why should they not have made use of every artifice to show off their virtues, especially among themselves, if only for the sake of practice! Of what use was a virtue which one could not display, and which did not know how to display itself!—Christianity put an end to the career of these actors of virtue; instead it devised the disgusting ostentation and parading of sins: it brought into the world a state of mendacious sinfulness (even at the present day this is considered as bon ton among orthodox Christians).

Actors of Virtue and Sin.—Among the ancients who became celebrated for their virtue there were many, it would seem, who acted to themselves, especially the Greeks, who, being actors by nature, must have acted quite unconsciously, seeing no reason why they should not do so. In addition, every one was striving to outdo some one else's virtue with his own, so why should they not have made use of every artifice to show off their virtues, especially among themselves, if only for the sake of practice! Of what use was a virtue which one could not display, and which did not know how to display itself!—Christianity put an end to the career of these actors of virtue; instead it devised the disgusting ostentation and parading of sins: it brought into the world a state of mendacious sinfulness (even at the present day this is considered as bon ton among orthodox Christians).

Approximate author period: c. 1872 AD · industrial

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Attribution & collection notes
Author or tradition
Friedrich Nietzsche
Attribution: attributed
Country attributed
Not established
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Historical period
Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
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Recorded source
The Dawn of Day (1911 English edition) (1911 AD)

The Dawn of Day, complete printed unit 29; John McFarland Kennedy translation; New York: The MacMillan Company,1911

A collection's publication date can be later than the words it records.

The voice behind the words.

Friedrich Nietzsche: Photographic portrait, 1882

Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.

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