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Knowledge.

Explore passages mentioning knowledge, know. Topic suggestions use transparent word matching, not scholarly classification. Editorial meanings and lexical matches are discovery aids, not independent authentication of a quotation.

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01c. 1872 AD
Earnestness for the Truth.—Earnest for the truth! What different things men understand by these words! Just the same opinions, and modes of demonstration and testing which a thinker regards as a frivolity in himself, to which he has succumbed with shame at one time or other,—just the same opinions may give to an artist, who comes in contact with them and accepts them temporarily, the consciousness that the profoundest earnestness for the truth has now taken hold of him, and that it is worthy of admiration that, although an artist, he at the same time exhibits the most ardent desire for the antithesis of the apparent. It is thus possible that a person may, just by his pathos of earnestness, betray how superficially and sparingly his intellect has hitherto operated in the domain of knowledge.—And is not everything that we consider important our betrayer? It shows where our motives lie, and where our motives are altogether lacking.
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02c. 1872 AD
A Word for Philologists.—It is thought that there are books so valuable and royal that whole generations of scholars are well employed when through their efforts these books are kept genuine and intelligible,—to confirm this belief again and again is the purpose of philology. It presupposes that the rare men are not lacking (though they may not be visible), who actually know how to use such valuable books:—those men perhaps who write such books themselves, or could write them. I mean to say that philology presupposes a noble belief,—that for the benefit of some few who are always "to come," and are not there, a very great amount of painful, and even dirty labour has to be done beforehand: it is all labour in usum Delphinorum.
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03c. 1872 AD
The Theory of Poisons.—So many things have to be united in order that scientific thinking may arise, and all the necessary powers must have been devised, exercised, and fostered singly! In their isolation, however, they have very often had quite a different effect than at present, when they are confined within the limits of scientific thinking and kept mutually in check:—they have operated as poisons; for example, the doubting impulse, the denying impulse, the waiting impulse, the collecting impulse, the disintegrating impulse. Many hecatombs of men were sacrificed ere these impulses learned to understand their juxtaposition and regard themselves as functions of one organising force in one man! And how far are we still from the point at which the artistic powers and the practical wisdom of life shall co-operate with scientific thinking, so that a higher organic system may be formed, in relation to which the scholar, the physician, the artist, and the lawgiver, as we know them at present, will seem sorry antiquities!
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04c. 1872 AD
Colour of the Passions.—Natures such as the apostle Paul, have an evil eye for the passions; they learn to know only the filthy, the distorting, and the heart-breaking in them,—their ideal aim, therefore, is the annihilation of the passions; in the divine they see complete purification from passion. The Greeks, quite otherwise than Paul and the Jews, directed their ideal aim precisely to the passions, and loved, elevated, embellished and deified them: in passion they evidently not only felt themselves happier, but also purer and diviner than otherwise.—And now the Christians? Have they wished to become Jews in this respect? Have they perhaps become Jews?
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05c. 1872 AD
Differences in the Dangerousness of Life.—You don't know at all what you experience; you run through life as if intoxicated, and now and then fall down a stair. Thanks however to your intoxication you still do not break your limbs: your muscles are too languid and your head too confused to find the stones of the staircase as hard as we others do! For, us life is a greater danger: we are made of glass—alas, if we should strike against anything! And all is lost if we should fall!
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12c. 1872 AD
The Sigh of the Seeker of Knowledge.—"Oh, my covetousness! In this soul there is no disinterestedness—but an all-desiring self, which, by means of many individuals, would fain see as with its own eyes, and grasp as with its own hands—a self bringing back even the entire past, and wanting to lose nothing that could in anyway belong to it! Oh, this flame of my covetousness! Oh, that I were reincarnated in a hundred individuals!"—He who does not know this sigh by experience, does not know the passion of the seeker of knowledge either.
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14c. 1872 AD
Lofty Moods.—It seems to me that most men do not believe in lofty moods, unless it be for the moment, or at the most for a quarter of an hour,—except the few who know by experience a longer duration of high feeling. But to be absolutely a man with a single lofty feeling, the incarnation of a single lofty mood—that has hitherto been only a dream and an enchanting possibility: history does not yet give us any trustworthy example of it Nevertheless one might also some day produce such men—when a multitude of favourable conditions have been created and established, which at present even the happiest chance is unable to throw together. Perhaps that very state which has hitherto entered into our soul as an exception, felt with horror now and then, may be the usual condition of those future souls: a continuous movement between high and low, and the feeling of high and low, a constant state of mounting as on steps, and at the same time reposing as on clouds.
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15c. 1872 AD
Ability to Contradict—Everyone knows at present that the ability, to endure contradiction is a good indication of culture. Some people even know that the higher man courts opposition, and provokes it, so as to get a cue to his hitherto unknown partiality. But the ability to contradict, the attainment of a good conscience in hostility to the accustomed, the traditional and the hallowed,—that is more than both the above-named abilities, and is the really great, new and astonishing thing in our culture, the step of all steps of the emancipated intellect: who knows that?—
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17c. 1872 AD
In Favour of Criticism.—Something now appears to thee as an error which thou formerly lovedst as a truth, or as a probability: thou pushest it from thee and imaginest that thy reason has there gained a victory. But perhaps that error was then, when thou wast still another person—thou art always another person,—just as necessary to thee as all thy present "truths," like a skin, as it were, which concealed and veiled from thee much which thou still mayst not see. Thy new life, and not thy reason, has slain that opinion for thee: thou dost not require it any longer, and now it breaks down of its own accord, and the irrationality crawls out of it as a worm into the light. When we make use of criticism it is not something arbitrary and impersonal,—it is, at least very often, a proof that there are lively, active forces in us, which cast a skin. We deny, and must deny, because something in us wants to live and affirm itself, something which we perhaps do not as yet know, do not as yet see!—So much in favour of criticism.
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18c. 1872 AD
In Media Vita.—No! Life has not deceived me! On the contrary, from year to year I find it richer, more desirable and more mysterious—from the day on which the great liberator broke my fetters, the thought that life may be an experiment of the thinker—and not a duty, not a fatality, not a deceit!—And knowledge itself may be for others something different; for example, a bed of ease, or the path to a bed of ease, or an entertainment, or a course of idling,—for me it is a world of dangers and victories, in which even the heroic sentiments have their arena and dancing-floor. "Life as a means to knowledge"—with this principle in one's heart, one can not only be brave, but can even live joyfully and laugh joyfully! And who could know how to laugh well and live well, who did not first understand the full significance of war and victory?
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19c. 1872 AD
How one has to Distinguish first of all in Works of Art—Everything that is thought, versified, painted and composed, yea, even built and moulded, belongs either to monologic art, or to art before witnesses. Under the latter there is also to be included the apparently monologic art which involves the belief in God, the whole lyric of prayer; because for a pious man there is no solitude,—we, the godless, have been the first to devise this invention. I know of no profounder distinction in all the perspective of the artist than this: Whether he looks at his growing work of art (at "himself—") with the eye of the witness; or whether he "has forgotten the world," as is the essential thing in all monologic art,—it rests on forgetting, it is the music of forgetting.
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20c. 1872 AD
"And once more Grow Clear."—We, the generous and rich in spirit, who stand at the sides of the streets like open fountains and would hinder no one from drinking from us: we do not know, alas! how to defend ourselves when we should like to do so; we have no means of preventing ourselves being made turbid and dark,—we have no means of preventing the age in which we live casting its "up-to-date rubbish" into us, or of hindering filthy birds throwing their excrement, the boys their trash, and fatigued resting travellers their misery, great and small, into us. But we do as we have always done: we take whatever is cast into us down into our depths—for we are deep, we do not forget—and once more grow clear...
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22c. 1842 AD
Be of good cheer, brave spirit; steadfastly serve that low whisper thou hast served; for know, God hath a select family of sons now scattered wide thro' earth, and each alone, who are thy spiritual kindred, and each one by constant service to that inward law, is weaving the sublime proportions of a true monarch's soul. Beauty and strength, the riches of a spotless memory, the eloquence of truth, the wisdom got by searching of a clear and loving eye that seeth as God seeth. These are their gifts, and time, who keeps God's word, brings on the day to seal the marriage of these minds with thine, thy everlasting lovers.
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23c. 1842 AD
To the Woods:—Whoso goeth in your paths readeth the same cheerful lesson, whether he be a young child or a hundred years old, comes he in good fortune or in bad, ye say the same things, and from age to age. Ever the needles of the pine grow and fall, the acorns on the oak, the maples redden in autumn and at all times of the year the ground pine and the pyrola bud and root under foot. What is called fortune and what is called time by men, ye know them not. Men have not language to describe one moment of your life.
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24In print by 1857 AD
He may lie boldly who comes from afar.

Meaning: A distant account can be hard to check, allowing an invented story to sound convincing. The saying draws attention to verification rather than encouraging dishonesty.

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