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The collection / 566 fragments

Justice.

Explore passages mentioning justice, just. Topic suggestions use transparent word matching, not scholarly classification. Editorial meanings and lexical matches are discovery aids, not independent authentication of a quotation.

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01c. 1872 AD
The Order of Possessions and Morality.—The once-accepted hierarchy of possessions, according as this or the other is coveted by a lower, higher, or highest egoism, now decides what is moral or immoral. To prefer a lesser good (for instance, the gratification of the senses) to a more highly valued good (for instance, health) is accounted immoral, and also to prefer luxury to liberty. The hierarchy of possessions, however, is not fixed and equal at all times; if any one prefers vengeance to justice he is moral according to the standard of an earlier civilisation, but immoral according to the present one. To be "immoral," therefore, denotes that an individual has not felt, or not felt sufficiently strongly, the higher, finer, spiritual motives which have come in with a new culture; it marks one who has remained behind, but only according to the difference of degrees. The order of possessions itself is not raised and lowered according to a moral point of view; but each time that it is fixed it supplies the decision as to whether an action is moral or immoral.
Friedrich Nietzsche / quote
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02c. 1872 AD
The Nominal Degrees of Truth.—One of the commonest mistakes is this: because some one is truthful and honest towards us, he must speak the truth. Thus the child believes in its parents' judgment, the Christian in the assertions of the Founder of the Church. In the same way men refuse to admit that all those things which men defended in former ages with the sacrifice of life and happiness were nothing but errors; it is even said, perhaps, that they were degrees of the truth. But what is really meant is that when a man has honestly believed in something, and has fought and died for his faith, it would really be too unjust if he had only been inspired by an error. Such a thing seems a contradiction of eternal justice; therefore the heart of sensitive man ever enunciates against his head the axiom: between moral action and intellectual insight there must absolutely be a necessary connection. It is unfortunately otherwise; for there is no eternal justice.
Friedrich Nietzsche / quote
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03c. 1872 AD
Whither Honesty Can Lead.—Somebody had the bad habit of occasionally talking quite frankly about the motives of his actions, which were as good and as bad as the motives of most men. He first gave offence, then aroused suspicion, was then gradually excluded from society and declared a social outlaw, until at last justice remembered such an abandoned creature, on occasions when it would otherwise have had no eyes, or would have closed them. The lack of power to hold his tongue concerning the common secret, and the irresponsible tendency to see what no one wishes to see—himself—brought him to a prison and an early death.
Friedrich Nietzsche / quote
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04c. 1872 AD
Love and Justice.—Why do we over-estimate love to the disadvantage of justice, and say the most beautiful things about it, as if it were something very much higher than the latter? Is it not visibly more stupid than justice? Certainly, but precisely for that reason all the pleasanter for every one. It is blind, and possesses an abundant cornucopia, out of which it distributes its gifts to all, even if they do not deserve them, even if they express no thanks for them. It is as impartial as the rain, which, according to the Bible and experience, makes not only the unjust, but also occasionally the just wet through to the skin.
Friedrich Nietzsche / quote
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05c. 1872 AD
The Commonplace Christian.—If Christianity were right, with its theories of an avenging God, of general sinfulness, of redemption, and the danger of eternal damnation, it would be a sign of weak intellect and lack of character not to become a priest, apostle or hermit, and to work only with fear and trembling for one's own salvation; it would be senseless thus to neglect eternal benefits for temporary comfort. Taking it for granted that there is belief, the commonplace Christian is a miserable figure, a man that really cannot add two and two together, and who, moreover, just because of his mental incapacity for responsibility, did not deserve to be so severely punished as Christianity has decreed.
Friedrich Nietzsche / quote
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06c. 1872 AD
The Belief in Inspiration.—It is to the interest of the artist that there should be a belief in sudden suggestions, so-called inspirations; as if the idea of a work of art, of poetry, the fundamental thought of a philosophy shone down from heaven like a ray of grace. In reality the imagination of the good artist or thinker constantly produces good, mediocre, and bad, but his judgment, most clear and practised, rejects and chooses and joins together, just as we now learn from Beethoven's notebooks that he gradually composed the most beautiful melodies, and in a manner selected them, from many different attempts. He who makes less severe distinctions, and willingly abandons himself to imitative memories, may under certain circumstances become a great improvisatore; but artistic improvisation ranks low in comparison with serious and laboriously chosen artistic thoughts. All great men were great workers, unwearied not only in invention but also in rejection, reviewing, transforming, and arranging.
Friedrich Nietzsche / quote
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07c. 1872 AD
The Over-valuation of Self in the Belief in Artists and Philosophers.—We are all prone to think that the excellence of a work of art or of an artist is proved when it moves and touches us. But there our own excellence in judgment and sensibility must have been proved first, which is not the case. In all plastic art, who had greater power to effect a charm than Bernini, who made a greater effect than the orator that appeared after Demosthenes introduced the Asiatic style and gave it a predominance which lasted throughout two centuries? This predominance during whole centuries is not a proof of the excellence and enduring validity of a style; therefore we must not be too certain in our good opinion of any artist,—this is not only belief in the truthfulness of our sensations but also in the infallibility of our judgment, whereas judgment or sensation, or even both, may be too coarse or too fine, exaggerated or crude. Neither are the blessings and blissfulness of a philosophy or of a religion proofs of its truth; just as little as the happiness which an insane person derives from his fixed idea is a proof of the reasonableness of this idea.
Friedrich Nietzsche / quote
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08c. 1872 AD
To Cause the Master to Be Forgotten.—The pianoforte player who executes the work of a master will have played best if he has made his audience forget the master, and if it seemed as if he were relating a story from his own life or just passing through some experience. Assuredly, if he is of no importance, every one will abhor the garrulity with which he talks about his own life. Therefore he must know how to influence his hearer's imagination favourably towards himself. Hereby are explained all the weaknesses and follies of "the virtuoso."
Friedrich Nietzsche / quote
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09c. 1872 AD
Sensuousness in Present-day Art.—Artists nowadays frequently miscalculate when they count on the sensuous effect of their works, for their spectators or hearers have no longer a fully sensuous nature, and, quite contrary to the artist's intention, his work produces in them a "holiness" of feeling which is closely related to boredom. Their sensuousness begins, perhaps, just where that of the artist ceases; they meet, therefore, only at one point at the most.
Friedrich Nietzsche / quote
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10c. 1872 AD
Shakespeare As a Moralist.—Shakespeare meditated much on the passions, and on account of his temperament had probably a close acquaintance with many of them (dramatists are in general rather wicked men). He could, however not talk on the subject, like Montaigne, but put his observations thereon into the mouths of impassioned figures, which is contrary to nature, certainly, but makes his dramas so rich in thought that they cause all others to seem poor in comparison and readily arouse a general aversion to them. Schiller's reflections (which are almost always based on erroneous or trivial fancies) are just theatrical Reflections, and as such are very effective; whereas Shakespeare's reflections do honour to his model, Montaigne, and contain quite serious thoughts in polished form, but on that account are too remote and refined for the eyes of the theatrical public, and are consequently ineffective.
Friedrich Nietzsche / quote
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11c. 1872 AD
The Incomplete As the Effective.—Just as figures in relief make such a strong impression on the imagination because they seem in the act of emerging from the wall and only stopped by some sudden hindrance; so the relief-like, incomplete representation of a thought, or a whole philosophy, is sometimes more effective than its exhaustive amplification,—more is left for the investigation of the onlooker, he is incited to the further study of that which stands out before him in such strong light and shade; he is prompted to think out the subject, and even to overcome the hindrance which hitherto prevented it from emerging clearly.
Friedrich Nietzsche / quote
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12c. 1872 AD
Unfinished Thoughts.—Just as not only manhood, but also youth and childhood have a value per se, and are not to be looked upon merely as passages and bridges, so also unfinished thoughts have their value. For this reason we must not torment a poet with subtle explanations, but must take pleasure in the uncertainty of his horizon, as if the way to further thoughts were still open. We stand on the threshold; we wait as for the digging up of a treasure, it is as if a well of profundity were about to be discovered. The poet anticipates something of the thinker's pleasure in the discovery of a leading thought, an makes us covetous, so that we give chase to it; but it flutters past our head and exhibits the loveliest butterfly-wings,—and yet it escapes us.
Friedrich Nietzsche / quote
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13c. 1872 AD
A Stone Is More of a Stone Than Formerly.—As a general rule we no longer understand architecture, at least by no means in the same way as we understand music. We have outgrown the symbolism of lines and figures, just as we are no longer accustomed to the sound-effects of rhetoric, and have not absorbed this kind of mother's milk of culture since our first moment of life. Everything in a Greek or Christian building originally had a meaning, and referred to a higher order of things; this feeling of inexhaustible meaning enveloped the edifice like a mystic veil. Beauty was only a secondary consideration in the system, without in any way materially injuring the fundamental sentiment of the mysteriously-exalted, the divinely and magically consecrated; at the most, beauty tempered horror—but this horror was everywhere presupposed. What is the beauty of a building now? The same thing as the beautiful face of a stupid woman, a kind of mask.
Friedrich Nietzsche / quote
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14c. 1872 AD
The Origin of Faith.—The fettered spirit does not take up his position from conviction, but from habit; he is a Christian, for instance, not because he had a comprehension of different creeds and could take his choice; he is an Englishman, not because he decided for England, but he found Christianity and England ready-made and accepted them without any reason, just as one who is born in a wine-country becomes a wine-drinker. Later on, perhaps, as he was a Christian and an Englishman, he discovered a few reasons in favour of his habit; these reasons may be upset, but he is not therefore upset in his whole position. For instance, let a fettered spirit be obliged to bring forward his reasons against bigamy and then it will be seen whether his holy zeal in favour of monogamy is based upon reason or upon custom. The adoption of guiding principles without reasons is called faith.
Friedrich Nietzsche / quote
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16c. 1872 AD
The Voice of History.—In general, history appears to teach the following about the production of genius: it ill-treats and torments mankind—calls to the passions of envy, hatred, and rivalry—drives them to desperation, people against people, throughout whole centuries! Then, perhaps, like a stray spark from the terrible energy thereby aroused, there flames up suddenly the light of genius; the will, like a horse maddened by the rider's spur, thereupon breaks out and leaps over into another domain. He who could attain to a comprehension of the production of genius, and desires to carry out practically the manner in which Nature usually goes to work, would have to be just as evil and regardless as Nature itself. But perhaps we have not heard rightly.
Friedrich Nietzsche / quote
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17c. 1872 AD
Justice Against the Becoming God.— When the entire history of culture unfolds itself to our gaze, as a confusion of evil and noble, of true and false ideas, and we feel almost seasick at the sight of these tumultuous waves, we then under stand what comfort resides in the conception of a becoming God. This Deity is unveiled ever more and more throughout the changes and fortunes of mankind; it is not all blind mechanism, a senseless and aimless confusion of forces. The deification of the process of being is a metaphysical outlook, seen as from a lighthouse overlooking the sea of history, in which a far-too historical generation of scholars found their comfort. This must not arouse anger, however erroneous the view may be. Only those who, like Schopenhauer, deny development also feel none of the misery of this historical wave, and therefore, because they know nothing of that becoming God and the need of His supposition, they should in justice withhold their scorn.
Friedrich Nietzsche / quote
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18c. 1872 AD
The Higher Culture Is Necessarily Misunderstood.—He who has strung his instrument with only two strings, like the scholars who, besides the instinct of knowledge possess only an acquired religious instinct, does not understand people who can play upon more strings. It lies in the nature of the higher, many-stringed culture that it should always be falsely interpreted by the lower; an example of this is when art appears as a disguised form of the religious. People who are only religious understand even science as a searching after the religious sentiment, just as deaf mutes do not know what music is, unless it be visible movement.
Friedrich Nietzsche / quote
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24c. 1872 AD
Hesiod's Opinion Confirmed.—It is a sign of women's wisdom that they have almost always known how to get themselves supported, like drones in a bee-hive. Let us just consider what this meant originally, and why men do not depend upon women for their support. Of a truth it is because masculine vanity and reverence are greater than feminine wisdom; for women have known how to secure for themselves by their subordination the greatest advantage, in fact, the upper hand. Even the care of children may originally have been used by the wisdom of women as an excuse for withdrawing themselves as much as possible from work. And at present they still understand when they are really active (as house-keepers, for instance) how to make a bewildering fuss about it, so that the merit of their activity is usually ten times over-estimated by men.
Friedrich Nietzsche / quote
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