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To Cause the Master to Be Forgotten.—The pianoforte player who executes the work of a master will have played best if he has made his audience forget the master, and if it seemed as if he were relating a story from his own life or just passing through some experience. Assuredly, if he is of no importance, every one will abhor the garrulity with which he talks about his own life. Therefore he must know how to influence his hearer's imagination favourably towards himself. Hereby are explained all the weaknesses and follies of "the virtuoso."
To Cause the Master to Be Forgotten.—The pianoforte player who executes the work of a master will have played best if he has made his audience forget the master, and if it seemed as if he were relating a story from his own life or just passing through some experience. Assuredly, if he is of no importance, every one will abhor the garrulity with which he talks about his own life. Therefore he must know how to influence his hearer's imagination favourably towards himself. Hereby are explained all the weaknesses and follies of "the virtuoso."
Approximate author period: c. 1872 AD · industrial
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- Author or tradition
- Friedrich Nietzsche
Attribution: attributed - Country attributed
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- Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
An author lifetime, approximate period or collection date is not necessarily the date when these words were first written or spoken. - Recorded source
- Human, All-Too-Human, Part 1 (1909 English edition) (1909 AD)
Part1, complete printed aphorism 172; Helen Zimmern translation; Edinburgh and London: T.N. Foulis,1909
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The voice behind the words.
Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.
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