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Judgement.

Assessing evidence, consequences and other perspectives before deciding. These editorial selections encourage proportionate checks and fair tests, while distinguishing attractive presentation from demonstrated value. Connections follow agent-reviewed meanings, rather than source word matching. Reviewed editorial meanings may also connect entries to this topic; those assignments are labelled separately from word matching.

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Culture labels and country attributions follow the source collections; earliest origins may be unknown.

127 results · Page 5 of 6Play this collection ▷
01In print by 1857 AD
The devil was handsome when he was young.

Meaning: An attractive beginning does not establish good character or a trustworthy outcome. The devil’s youthful beauty warns against judging conduct by charm, without condemning beauty or youth themselves.

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02In print by 1857 AD
Paper bears anything.

Meaning: Words can be put on paper whether they are sound or false. A written statement still needs evidence; its appearance in a document does not make it trustworthy.

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03In print by 1857 AD
Bees do not become hornets.

Meaning: The bee and hornet are contrasted as different kinds. The image questions an assumed change of character, but should not be used to declare a person permanently good or bad.

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04In print by 1857 AD
Fools invent fashions and wise men follow them.

Meaning: Even people considered wise may follow a fashion they did not examine. The contrast questions imitation based on acceptance, without proving that every novelty or popular choice is foolish.

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06In print by 1857 AD
Where you think there is bacon, there are not even hooks for it.

Meaning: An expected benefit may have no real basis. The missing bacon hooks make the disappointment sharper: check what supports a promising expectation before assuming the reward is available.

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07In print by 1857 AD
Praise yourself, basket, for I want to sell you.

Meaning: Praise offered by someone who benefits from a sale deserves scrutiny. The seller asks the basket to advertise itself, exposing an interest behind the favourable presentation rather than proving the object worthless.

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08In print by 1857 AD
When we think to catch we are sometimes caught.

Meaning: A person trying to catch another can become caught instead. The reversal cautions against assuming complete control of a scheme and invites attention to how an intended advantage might turn back on its maker.

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09In print by 1857 AD
A man may hap to bring home with him what makes him weep.

Meaning: Something brought home can later become a cause of sorrow. The saying invites thought about a choice’s consequences while leaving room for disappointment that could not reasonably have been foreseen.

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10In print by 1857 AD
Don’t send away your cat for being a thief.

Meaning: A fault does not automatically settle whether a useful relationship should end. The cat’s theft invites a proportionate judgement, while leaving serious harm and continuing boundaries firmly open to consideration.

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11In print by 1857 AD
He gathers up ashes and scatters flour.

Meaning: Saving a comparatively slight thing while wasting something more valuable reverses sensible priorities. The ashes and flour contrast asks whether apparent carefulness protects what actually matters in the situation.

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12In print by 1857 AD
The wrong doer is never without a pretext.

Meaning: A person accused of wrongdoing may offer a convenient explanation instead of accepting responsibility. Examine whether the reason addresses what happened, without assuming that every defence is merely an excuse.

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13In print by 1857 AD
Walls sink and dunghills rise.

Meaning: Positions of apparent strength can decline while disregarded things rise. The wall and dunghill contrast challenges confidence in a fixed hierarchy, without making lower status a sign of lesser human worth.

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14In print by 1857 AD
A great leap gives a great shake.

Meaning: A large move can bring a large disturbance. The leap and shake ask that ambition include attention to consequences, without assuming every substantial change is reckless or should be avoided.

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15In print by 1857 AD
To shiver at work, and sweat at meals.

Meaning: The contrast questions eagerness for benefits alongside reluctance to contribute. Shivering at work and sweating at meals are caricatured images, not reliable evidence of someone’s character or physical condition.

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16In print by 1857 AD
The worst pig gets the best acorn.

Meaning: A valued reward does not always go to the recipient judged most deserving. The pig and acorn contrast invites questions about allocation while cautioning that the label worst may itself be unfair.

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17In print by 1857 AD
The spot will come out in the washing.

Meaning: A difficulty may become clearer or be resolved through the process meant to address it. The spot and washing invite patient examination, without guaranteeing that every stain or problem will disappear.

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18In print by 1857 AD
Him who errs, forgive once, but never twice.

Meaning: The saying sets a strict limit after a first pardon. It warns against repeatedly overlooking the same conduct, while leaving room to question the blanket rule and distinguish forgiveness from restored trust.

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19In print by 1857 AD
Don’t stop the way of a bull or of a current of air.

Meaning: Some forces are better given room than confronted directly. The bull and current of air invite attention to position and approach, without providing safety instructions or requiring surrender whenever resistance is difficult.

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20In print by 1857 AD
A lawsuit for a maravedi consumes a real’s worth of paper.

Meaning: The effort spent pursuing a small dispute can exceed what is at stake. The two money names and the paper image direct attention to the cost of the process, not only the disputed amount.

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21In print by 1857 AD
Mad love—I for you, and you for another.

Meaning: Affection runs in different directions: one person loves someone whose attention is elsewhere. The short exchange portrays a painful mismatch rather than a shared relationship or an obligation to return affection.

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22In print by 1857 AD
To go rabbit catching with a dead ferret.

Meaning: A method that lacks its essential working part cannot accomplish the task expected of it. The dead ferret makes the mismatch between the proposed hunt and its means unmistakable.

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23In print by 1857 AD
Let me go warm, and folks may laugh.

Meaning: Practical comfort can matter more than other people’s laughter. The speaker chooses warmth over approval, while leaving open whether the criticism concerns harmless appearance or something that needs attention.

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24In print by 1857 AD
Throw that bone to another dog.

Meaning: The speaker rejects what is being offered and tells the other person to try it elsewhere. The bone and another dog express refusal to accept a proposal, without proving that the proposal is dishonest.

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