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Happiness.

Explore passages mentioning happiness, happy. Topic suggestions use transparent word matching, not scholarly classification. Editorial meanings and lexical matches are discovery aids, not independent authentication of a quotation.

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04In print by 1857 AD
Every fool likes his bauble.

Meaning: People become attached to their own favourite diversions, even when others see little value in them. The bauble is a small object that matters especially to its owner.

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05In print by 1857 AD
Cherries are bitter to the glutted blackbird.

Meaning: Something desirable can seem unpleasant when a person has already had too much. The full blackbird’s response to cherries illustrates how satisfaction changes appetite.

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06In print by 1857 AD
At a little fountain one drinks at one’s ease.

Meaning: A modest source of help can be easier to use comfortably than a grand one. The little fountain suggests accessible benefit without the demands of a crowded or imposing setting.

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11c. 1872 AD
Bad Habits in Reasoning.—The usual false conclusions of mankind are these: a thing exists, therefore it has a right to exist. Here there is inference from the ability to live to its suitability; from its suitability to its rightfulness. Then: an opinion brings happiness; therefore it is the true opinion. Its effect is good; therefore it is itself good and true. To the effect is here assigned the predicate beneficent, good, in the sense of the useful, and the cause is then furnished with the same predicate good, but here in the sense of the logically valid. The inversion of the sentences would read thus: an affair cannot be carried through, or maintained, therefore it is wrong; an opinion causes pain or excites, therefore it is false. The free spirit who learns only too often the faultiness of this mode of reasoning, and has to suffer from its consequences, frequently gives way to the temptation to draw the very opposite conclusions, which, in general, are naturally just as false: an affair cannot be carried through, therefore it is good; an opinion is distressing and disturbing, therefore it is true.
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12c. 1872 AD
The Nominal Degrees of Truth.—One of the commonest mistakes is this: because some one is truthful and honest towards us, he must speak the truth. Thus the child believes in its parents' judgment, the Christian in the assertions of the Founder of the Church. In the same way men refuse to admit that all those things which men defended in former ages with the sacrifice of life and happiness were nothing but errors; it is even said, perhaps, that they were degrees of the truth. But what is really meant is that when a man has honestly believed in something, and has fought and died for his faith, it would really be too unjust if he had only been inspired by an error. Such a thing seems a contradiction of eternal justice; therefore the heart of sensitive man ever enunciates against his head the axiom: between moral action and intellectual insight there must absolutely be a necessary connection. It is unfortunately otherwise; for there is no eternal justice.
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13c. 1872 AD
Hope.—Pandora brought the box of ills and opened it. It was the gift of the gods to men, outwardly a beautiful and seductive gift, and called the Casket of Happiness. Out of it flew all the evils, living winged creatures, thence they now circulate and do men injury day and night. One single evil had not yet escaped from the box, and by the will of Zeus Pandora closed the lid and it remained within. Now for ever man has the casket of happiness in his house and thinks he holds a great treasure; it is at his disposal, he stretches out his hand for it whenever he desires; for he does not know the box which Pandora brought was the casket of evil, and he believes the ill which remains within to be the greatest blessing,—it is hope. Zeus did not wish man, however much he might be tormented by the other evils, to fling away his life, but to go on letting himself be tormented again and again. Therefore he gives man hope,—in reality it is the worst of all evils, because it prolongs the torments of man.
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16c. 1872 AD
The Slow Arrow of Beauty.—The noblest kind of beauty is that which does not transport us suddenly, which does not make stormy and intoxicating impressions (such a kind easily arouses disgust), but that which slowly filter into our minds, which we take away with us almost unnoticed, and which we encounter again in our dreams; but which, however, after having long lain modestly on our hearts, takes entire possession of us, fills our eyes with tears and our hearts with longing. What is it that we long for at the sight of beauty? We long to be beautiful, we fancy it must bring much happiness with it. But that is a mistake.
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17c. 1872 AD
The Over-valuation of Self in the Belief in Artists and Philosophers.—We are all prone to think that the excellence of a work of art or of an artist is proved when it moves and touches us. But there our own excellence in judgment and sensibility must have been proved first, which is not the case. In all plastic art, who had greater power to effect a charm than Bernini, who made a greater effect than the orator that appeared after Demosthenes introduced the Asiatic style and gave it a predominance which lasted throughout two centuries? This predominance during whole centuries is not a proof of the excellence and enduring validity of a style; therefore we must not be too certain in our good opinion of any artist,—this is not only belief in the truthfulness of our sensations but also in the infallibility of our judgment, whereas judgment or sensation, or even both, may be too coarse or too fine, exaggerated or crude. Neither are the blessings and blissfulness of a philosophy or of a religion proofs of its truth; just as little as the happiness which an insane person derives from his fixed idea is a proof of the reasonableness of this idea.
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18c. 1872 AD
Pleasure in Nonsense.—How can we take pleasure in nonsense? But wherever there is laughter in the world this is the case: it may even be said that almost everywhere where there is happiness, there is found pleasure in nonsense. The transformation of experience into its opposite, of the suitable into the unsuitable, the obligatory into the optional (but in such a manner that this process produces no injury and is only imagined in jest), is a pleasure; for it temporarily liberates us from the yoke of the obligatory, suitable and experienced, in which we usually find our pitiless masters; we play and laugh when the expected (which generally causes fear and expectancy) happens without bringing any injury. It is the pleasure felt by slaves in the Saturnalian feasts.
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19c. 1872 AD
Happiness and Culture.—We are moved at the sight of our childhood's surroundings,—the arbour, the church with its graves, the pond and the wood,—all this we see again with pain. We are seized with pity for ourselves; for what have we not passed through since then! And everything here is so silent, so eternal, only we are so changed, so moved; we even find a few human beings, on whom Time has sharpened his teeth no more than on an oak tree,—peasants, fishermen, woodmen—they are unchanged. Emotion and self-pity at the sight of lower culture is the sign of higher culture; from which the conclusion may be drawn that happiness has certainly not been increased by it. Whoever wishes to reap happiness and comfort in life should always avoid higher culture.
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22c. 1872 AD
Occasions of Eloquence.—In order to talk well one man needs a person who is decidedly and avowedly his superior to talk to, while another can only find absolute freedom of speech and happy turns of eloquence before one who is his inferior. In both cases the cause is the same; each of them talks well only when he talks sans gêne—the one because in the presence of something higher he does not feel the impulse of rivalry and competition, the other because he also lacks the same impulse in the presence of something lower. Now there is quite another type of men, who talk well only when debating, with the intention of conquering. Which of the two types is the more aspiring: the one that talks well from excited ambition, or the one that talks badly or not at all from precisely the same motive?
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