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The Master doesn't try to be powerful;thus he is truly powerful.The ordinary man keeps reaching for power;thus he never has enough.The Master does nothing,yet he leaves nothing undone.The ordinary man is always ding things,yet many more are left to be done.[…]Therefore the Master concerns himselfWith the depths and not the surface,With the fruit and not the flower.[…]Teaching without words,Performing without actions:That is the Master’s way.[…]The Master arrives without leaving,Sees the light without looking,Achieves without doing a thing.[…]The Master is above the people,And no one feels oppressed.She goes ahead of the people,And no feels manipulated.The whole world is grateful to her.Because she completes with no one,No one can complete with her.

The Master doesn't try to be powerful;thus he is truly powerful.The ordinary man keeps reaching for power;thus he never has enough.The Master does nothing,yet he leaves nothing undone.The ordinary man is always ding things,yet many more are left to be done.[…]Therefore the Master concerns himselfWith the depths and not the surface,With the fruit and not the flower.[…]Teaching without words,Performing without actions:That is the Master’s way.[…]The Master arrives without leaving,Sees the light without looking,Achieves without doing a thing.[…]The Master is above the people,And no one feels oppressed.She goes ahead of the people,And no feels manipulated.The whole world is grateful to her.Because she completes with no one,No one can complete with her.

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Laozi (traditional attribution)
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Laozi (traditional attribution): Ming-dynasty depiction; not a lifetime portrait

Traditional attribution of the Tao Teh King, represented here by complete numbered chapters in James Legge’s English translation. Historical identity, authorship and dates are disputed; no lifetime or composition year is assigned. Read within the transmitted text, rather than treating traditional attribution as independent verification.

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