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Private and Public Accusers.—Watch closely the accuser and inquirer,—for he reveals his true character; and it is not rare for this to be a worse character than that of the victim whose crime he is investigating. The accuser believes in all innocence that the opponent of a crime and criminal must be by nature of good character, or at least must appear as such—and this is why he lets himself go, that is to say, he drops his mask.

Private and Public Accusers.—Watch closely the accuser and inquirer,—for he reveals his true character; and it is not rare for this to be a worse character than that of the victim whose crime he is investigating. The accuser believes in all innocence that the opponent of a crime and criminal must be by nature of good character, or at least must appear as such—and this is why he lets himself go, that is to say, he drops his mask.

Approximate author period: c. 1872 AD · industrial

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Attribution & collection notes
Author or tradition
Friedrich Nietzsche
Attribution: attributed
Country attributed
Not established
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Historical period
Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
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Recorded source
The Dawn of Day (1911 English edition) (1911 AD)

The Dawn of Day, complete printed unit 413; John McFarland Kennedy translation; New York: The MacMillan Company,1911

A collection's publication date can be later than the words it records.

The voice behind the words.

Friedrich Nietzsche: Photographic portrait, 1882

Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.

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