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Or she would look at him with a sullen expression, once again he would see before him a face worthy of figuring in Botticelli's Life of Moses, he would place her in it, he would give her neck the necessary inclination; and when he had well and truly painted her in distemper, in the fifteenth century, on the wall of the Sistine Chapel, the idea that she had nevertheless remained here, by the piano, in the present moment, ready to be kissed and possessed, the idea of her materiality and her life would intoxicate him with such force that, his eyes distracted, his jaw tensed as though to devour her, he would swoop down upon that Botticelli virgin and begin pinching her cheeks.
Or she would look at him with a sullen expression, once again he would see before him a face worthy of figuring in Botticelli's Life of Moses, he would place her in it, he would give her neck the necessary inclination; and when he had well and truly painted her in distemper, in the fifteenth century, on the wall of the Sistine Chapel, the idea that she had nevertheless remained here, by the piano, in the present moment, ready to be kissed and possessed, the idea of her materiality and her life would intoxicate him with such force that, his eyes distracted, his jaw tensed as though to devour her, he would swoop down upon that Botticelli virgin and begin pinching her cheeks.
Approximate author period: c. 1896 AD · industrial
Meaning not yet available
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- Author or tradition
- Marcel Proust
Attribution: attributed - Country attributed
- Not established
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- Approximate author period: c. 1896 AD · industrial
Approximate author-period anchor from life dates 1871 to 1922; Wikidata Q7199, https://www.wikidata.org/wiki/Q7199 (accessed 2026-10-08). Not a quotation composition date.
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Supplied reference C; CSV row 218166; supplied attribution, independently unverified
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