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Intercourse With the Higher Self.—Every one has his good day, when he finds his higher self; and true humanity demands that a person shall be estimated according to this state and not according to his work-days of constraint and bondage. A painter, for instance, should be appraised and honoured according to the most exalted vision he could see and represent. But men themselves commune very differently with this their higher self, and are frequently their own playactors, in so far as they repeatedly imitate what they are in those moments. Some stand in awe and humility before their ideal, and would fain deny it; they are afraid of their higher self because, when it speaks, it speaks pretentiously. Besides, it has a ghost-like freedom of coming and staying away just as it pleases; on that account it is often called a gift of the gods, while in fact everything else is a gift of the gods (of chance); this, however, is the man himself.

Intercourse With the Higher Self.—Every one has his good day, when he finds his higher self; and true humanity demands that a person shall be estimated according to this state and not according to his work-days of constraint and bondage. A painter, for instance, should be appraised and honoured according to the most exalted vision he could see and represent. But men themselves commune very differently with this their higher self, and are frequently their own playactors, in so far as they repeatedly imitate what they are in those moments. Some stand in awe and humility before their ideal, and would fain deny it; they are afraid of their higher self because, when it speaks, it speaks pretentiously. Besides, it has a ghost-like freedom of coming and staying away just as it pleases; on that account it is often called a gift of the gods, while in fact everything else is a gift of the gods (of chance); this, however, is the man himself.

Approximate author period: c. 1872 AD · industrial

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Attribution & collection notes
Author or tradition
Friedrich Nietzsche
Attribution: attributed
Country attributed
Not established
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Historical period
Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
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Recorded source
Human, All-Too-Human, Part 1 (1909 English edition) (1909 AD)

Part1, complete printed aphorism 624; Helen Zimmern translation; Edinburgh and London: T.N. Foulis,1909

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The voice behind the words.

Friedrich Nietzsche: Photographic portrait, 1882

Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.

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