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Different Feelings Towards Art.—From the time when we begin to live as a hermit, consuming and consumed, our only company being deep and prolific thoughts, we expect from art either nothing more, or else something quite different from what we formerly expected—in a word, we change our taste. For in former times we wished to penetrate for a moment by means of art into the element in which we are now living permanently: at that time we dreamt ourselves into the rapture of a possession which we now actually possess. Indeed, flinging away from us for the time being what we now have, and imagining ourselves to be poor, or to be a child, a beggar, or a fool, may now at times fill us with delight.

Different Feelings Towards Art.—From the time when we begin to live as a hermit, consuming and consumed, our only company being deep and prolific thoughts, we expect from art either nothing more, or else something quite different from what we formerly expected—in a word, we change our taste. For in former times we wished to penetrate for a moment by means of art into the element in which we are now living permanently: at that time we dreamt ourselves into the rapture of a possession which we now actually possess. Indeed, flinging away from us for the time being what we now have, and imagining ourselves to be poor, or to be a child, a beggar, or a fool, may now at times fill us with delight.

Approximate author period: c. 1872 AD · industrial

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Attribution & collection notes
Author or tradition
Friedrich Nietzsche
Attribution: attributed
Country attributed
Not established
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Historical period
Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
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Recorded source
The Dawn of Day (1911 English edition) (1911 AD)

The Dawn of Day, complete printed unit 531; John McFarland Kennedy translation; New York: The MacMillan Company,1911

A collection's publication date can be later than the words it records.

The voice behind the words.

Friedrich Nietzsche: Photographic portrait, 1882

Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.

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