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1,545 results · Page 39 of 65Play this collection ▷
16c. 1790 AD
Poems are painted window panes. If one looks from the square into the church, Dusk and dimness are his gains— Sir Philistine is left in the lurch! The sight, so seen, may well enrage him, Nor anything henceforth assuage him. But come just inside what conceals; Cross the holy threshold quite— All at once ’tis rainbow-bright, Device and story flash to light, A gracious splendour truth reveals. This to God’s children is full measure, It edifies and gives you pleasure!
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18c. 1790 AD
An actor should take lessons from a painter and a sculptor. For an actor to represent a Greek hero it is imperative he should have thoroughly studied those antique statues which have lasted to our day, and mastered the particular grace they exhibited in their postures, whether sitting, standing, or walking. Nor should he make attitude his only study. He should highly develop his mind by an assiduous study of the best writers, ancient and modern, which will enable him not only to understand his parts, but to communicate a nobler coloring to his manners and mien.
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21c. 1790 AD
It is commonly the personal character of a writer which gives him his public significance. It is not imparted by his genius. Napoleon said of Corneille, "Were he living I would make him a king;" but he did not read him. He read Racine, yet he said nothing of the kind of Racine. It is for the same reason that La Fontaine is held in such high esteem among the French. It is not for his worth as a poet, but for the greatness of his character which obtrudes in his writings.
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