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An actor should take lessons from a painter and a sculptor. For an actor to represent a Greek hero it is imperative he should have thoroughly studied those antique statues which have lasted to our day, and mastered the particular grace they exhibited in their postures, whether sitting, standing, or walking. Nor should he make attitude his only study. He should highly develop his mind by an assiduous study of the best writers, ancient and modern, which will enable him not only to understand his parts, but to communicate a nobler coloring to his manners and mien.
An actor should take lessons from a painter and a sculptor. For an actor to represent a Greek hero it is imperative he should have thoroughly studied those antique statues which have lasted to our day, and mastered the particular grace they exhibited in their postures, whether sitting, standing, or walking. Nor should he make attitude his only study. He should highly develop his mind by an assiduous study of the best writers, ancient and modern, which will enable him not only to understand his parts, but to communicate a nobler coloring to his manners and mien.
Approximate author period: c. 1790 AD · early modern
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- Author or tradition
- Goethe
Attribution: attributed - Country attributed
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- Approximate author period: c. 1790 AD · early modern
author lifetime midpoint (1749–1832)
An author lifetime, approximate period or collection date is not necessarily the date when these words were first written or spoken. - Recorded source
- Pearls of Thought (1881) (1881 AD)
Page 4 · printed citation: Goethe · subject: Actors
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Listed in the author section of Bartlett’s ninth-edition anthology, in the linked 1905 printing. Dates reflect that historical edition and may differ from modern scholarship.
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