01c. 1900 ADO dieses ist das Tier, das es nicht giebt.Sie wußtens nicht und habens jeden Falls– sein Wandeln, seine Haltung, seinen Hals,bis in des stillen Blickes Licht – geliebt.Zwar war es nicht. Doch weil sie’s liebten, wardein reines Tier. Sie ließen immer Raum.Und in dem Raume, klar und ausgespart,erhob es leicht sein Haupt und brauchte kaumzu seinÈ questo l’animale favoloso, che non esiste. Non veduto mai, ne amaron le movenze, il collo, il passo: fino la luce dello sguardo calmo.Pure “non era”. Ma perchè lo amarono,divenne. Intatto. Gli lasciavan sempre più spazio. E in quello spazio chiaro, etereo:serbato a lui – levò, leggiero, il capo.And here we have the creature that is not.But they did not allow this , and as it happens- his gait and bearing, his arched neck,even the light in his eyes - they loved it all.Yet truly he was not. But because they loved himthe beast was seen. And always they made room.And in that space, empty and unbounded,he raised an elegant head, yet hardly foughtfor his existence. Oh ! C'est elle, la bête qui n'existe pas.Eux, ils n'en savaient rien, et de toutes façons- son allure et son port, son col et même la lumièrecalme de son regard - ils l'ont aimée.Elle, c'est vrai, n'existait point. Mais parce qu'ils l'aimaientbête pure, elle fut. Toujours ils lui laissaient l'espace.Et dans ce clair espace épargné, doucement,Elle leva la tête, ayant à peine besoin d'être.Rainer Maria Rilke / quote ↗
02c. 1900 ADThen suddenly you’re left all alonewith your body that can’t love youand your will that can’t save you.Rainer Maria Rilke / quote ↗
03c. 1900 ADThose doves below, the ones utterly cared for, never endangered ones, cannot know tenderness.Rainer Maria Rilke / quote ↗
04c. 1900 ADAgain and again, however we know the landscape of loveand the little churchyard there, with its sorrowing names,and the frighteningly silent abyss into which the othersfall: again and again the two of us walk out togetherunder the ancient trees, lie down again and againamong the flowers, face to face with the sky.Rainer Maria Rilke / quote ↗
05c. 1900 ADTurn your attentions to it. Try to raise up the sunken feelings of this enormous past; your personality will grow stronger, your solitude will expand and become a place where you can live in the twilight, where the noise of other people passes by, far in the distance.Rainer Maria Rilke / quote ↗
06c. 1900 ADYou are looking outside, and that is what you should most avoid right now. No one can advise or help you - no one. There is only one thing you should do. Go into yourself. Find out the reason that commands you to write see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write. This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple "I must," then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse...go into yourself and see how deep the place is from which your life flows; at its source you will find the answer to, the question of whether you must create. Accept that answer, just as it is given to you, without trying to interpret it. Perhaps you will discover that you are called to be an artist. Then take that destiny upon yourself, and bear it, its burden and its greatness, without ever asking what reward might come from outside.Rainer Maria Rilke / quote ↗
07c. 1900 ADThe free animalhas its dying always behind itand God in front of it, and its wayis the eternal way, as the spring flowing.Never, not for a moment, do we havepure space before us, where the flowersendlessly open.Rainer Maria Rilke / quote ↗
08c. 1900 ADBut now that so much is changing, isn't it time for us to change? Couldn't we try to gradually develop and slowly take upon ourselves, little by little, our part in the great task of love? We have been spared all its trouble, and that is why it has slipped in among our distractions, as a piece of real lace will sometimes fall into a child's toy-box and please him and no longer please him, and finally it lies there among the broken and dismembered toys, more wretched than any of them. We have been spoiled by superficial pleasures like dilettantes, and are looked upon as masters. But what if we despised our successes? What if we started from the very outset to learn the task of love, which has always been done for us? What if we went ahead and became beginners, now that much is changing?Rainer Maria Rilke / quote ↗
09c. 1900 ADWe are not permitted to linger, even with what is most intimate. From images that are full, the spirit plunges on to others that suddenly must be filled; there are no lakes till eternity. Here, falling is best. To fall from the mastered emotion into the guessed-at, and onward.Rainer Maria Rilke / quote ↗
10c. 1900 ADIt is necessary - and toward this point our development will move, little by little - that nothing alien happen to us, but only what has long been our own.Rainer Maria Rilke / quote ↗
11c. 1900 ADIf, when you wake up in the morning, you can think of nothing but writing then you are a writer”"Se alla mattina quando ti alzi non pensi altro che allo scrivere allora sei uno scrittoreRainer Maria Rilke / quote ↗
12c. 1900 ADWhen we are only victorious over small things, it leaves us feeling small.Rainer Maria Rilke / quote ↗
13c. 1900 ADEverything that has been wrestled from doubtI welcome-the mouths that burst open afterlong knowledge of what it is to be mute.Rainer Maria Rilke / quote ↗
14c. 1900 ADO smile, going where? O upturned look:new, warm, receding surge of the heart--;alas, we are that surge. Does then the cosmic spacewe dissolve in taste of us? Do the angelsreclaim only what is theirs, their own outstreamed existence,or sometimes, by accident, does a bit of usget mixed in? Are we blended in their featureslike the slight vagueness that complicates the looksof pregnant women? Unnoticed by them in theirwhirling back into themselves? (How could they notice?)Rainer Maria Rilke / quote ↗
15c. 1900 ADDeath is our friend, precisely because it brings us into absolute and passionate presence with all that is here, that is natural, that is love.Rainer Maria Rilke / quote ↗
16c. 1900 ADAnd these thingsthat keep alive on departure know that you praise them; transient,they look to us, the most transient, to be their rescue.They want us to change them completely, in our invisible hearts,into -- O endlessly -- us! Whoever, finally, we may be.Rainer Maria Rilke / quote ↗
17c. 1900 ADThis advance (at first very much against the will of the outdistanced men) will transform the love experience, which is now filled with error, will change it from the ground up, and reshape it into a relationship that is meant to be between one human being and another, no longer one that flows from man to woman. And this more human love (which will fulfill itself with infinite consideration and gentleness, and kindness and clarity in binding and releasing) will resemble what we are now preparing painfully and with great struggle: the love that consists in this: that two solitudes protect and border and greet each other.Rainer Maria Rilke / quote ↗
18c. 1900 ADGirls, there are poets who learn from youto say, what you, in your aloneness, are;and they learn through you to live distantness,as the evenings through the great starsbecome accustomed to eternity.Rainer Maria Rilke / quote ↗
19c. 1900 ADWorks of art are infinitely solitary and nothing is less likely to reach them than criticism. Only love can grasp them and hold them and do them justice.Rainer Maria Rilke / quote ↗
20c. 1900 ADBodily delight is a sensory experience, not any different from pure looking or the pure feeling with which a beautiful fruit fills the tongue; it is a great, an infinite learning that is given to us, a knowledge of the world, the fullness and the splendor of all knowledge...the individual...can remember that all beauty in animals and plants is a silent, enduring form of love and yearning, and he can see the animal, as he sees plants, patiently and willingly uniting and multiplying and growing, not out of physical pleasure, not out of physical pain, but bowing to necessities that are greater than pleasure and pain, and more powerful than will and withstanding. If only human beings could more humbly receive this mystery---which the world is filled with...Rainer Maria Rilke / quote ↗
21c. 1900 ADSeulement la terre qui obéit,sait bien qu'elle tourne en rond,tandis que nous vers l'infininous précipitons.Translation:But the obedient Earth well knowsthat she moves round and round,whereas we hurtle downtoward infinity.Rainer Maria Rilke / quote ↗
22c. 1900 ADHow should we be able to forget those myths that are at the beginning of all peoples, the myths about dragons that at the last moment turn into princesses; perhaps all the dragons in our lives are princesses who are only waiting to see us act, just once, with beauty and courage. Perhaps everything that frightens us is, in its deepest essence, something helpless that wants our love.Rainer Maria Rilke / quote ↗
23c. 1900 ADIf we only arrange our life in accordance with the principle which tells us that we must always trust in the difficult, then what now appears to us as the most alien will become our most intimate and trusted experience. How could we forget those ancient myths that stand at the beginning of all races, the myths about dragons that at the last moment are transformed into princesses? Perhaps all the dragons in our lives are princesses who are only waiting to see us act, just once, with beauty and courage.Rainer Maria Rilke / quote ↗