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Neal Stephenson

Born 1959 AD; death year unknown

Name supplied in the contributor-provided quotation collection. Basic attribution label; identity, lifetime and quotation authenticity have not been independently verified.

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Quotations and sayings

01c. 1959 AD
Until a man is twenty-five, he still thinks, every so often, that under the right circumstances he could be the baddest motherfucker in the world. If I moved to a martial-arts monastery in China and studied real hard for ten years. If my family was wiped out by Colombian drug dealers and I swore myself to revenge. If I got a fatal disease, had one year to live, and devoted it to wiping out street crime. If I just dropped out and devoted my life to being bad.
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07c. 1959 AD
Nell did not imagine that Constable Moore wanted to get into a detailed discussion of recent events, so she changed the subject. "I think I have finally worked out what you were trying to tell me, years ago, about being intelligent," she said.The Constable brightened all at once. "Pleased to hear it."The Vickys have an elaborate code of morals and conduct. It grew out of the moral squalor of an earlier generation, just as the original Victorians were preceded by the Georgians and the Regency. The old guard believe in that code because they came to it the hard way. They raise their children to believe in that code– but their children believe it for entirely different reasons."They believe it," the Constable said, "because they have been indoctrinated to believe it."Yes. Some of them never challenge it– they grow up to be smallminded people, who can tell you what they believe but not why they believe it. Others become disillusioned by the hypocrisy of the society and rebel– as did Elizabeth Finkle-McGraw."Which path do you intend to take, Nell?" said the Constable, sounding very interested. "Conformity or rebellion?"Neither one. Both ways are simple-minded– they are only for people who cannot cope with contradiction and ambiguity.
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17c. 1959 AD
Nell," the Constable continued, indicating through his tone of voice that the lesson was concluding, "the difference between ignorant and educated people is that the latter know more facts. But that has nothing to do with whether they are stupid or intelligent. The difference between stupid and intelligent people—and this is true whether or not they are well-educated—is that intelligent people can handle subtlety. They are not baffled by ambiguous or even contradictory situations—in fact, they expect them and are apt to become suspicious when things seem overly straightforward.
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18c. 1959 AD
The mysterious Enoch Root meets 8-year-old Benjamin Franklin, Boston, 1713: "Do I look like a schoolmaster to you?" "No, but you talk like one." "You know something of schoolmasters, do you?""Yes, sir," the boy says, faltering a bit as he sees the jaws of the trap swinging toward his leg. "Yet here it is the middle of Monday—" "The place was empty 'cause of the Hanging. I didn't want to stay and—" "And what?" "Get more ahead of the others than I was already." "If you are ahead, the correct thing is to get used to it—not to make yourself into an imbecile. Come, you belong in school.
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20c. 1959 AD
Yong is the outer manifestation of something. Ti is the underlying essence. Technology is a yong associated with a particular ti that is ... Western, and completely alien to us [the Chinese]. For centuries, since the time of the Opium Wars, we have struggled to absorb the yong of technology without importing the Western ti. But it has been impossible. Just as our ancestors could not open our ports to the West without accepting the poison of opium, we could not open our lives to Western technology without taking in the Western ideas, which have been as a plague on our society. The result has been centuries of chaos.
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21c. 1959 AD
It is a second-generation Seattle-scene record label; all of its artists are young people who came to Seattle after they graduated college in search of the legendary Seattle music scene and discovered that it didn't really exist--it was just a couple of dozen guys who sat around playing guitar in one another's basements--and so who were basically forced to choose between going home in ignominy or fabricating the Seattle Music scene of their imagination from whole cloth. This led to the establishment of any number of small clubs, and the foundation of many bands, that were not rooted in any kind of authentic reality whatsoever but merely reflected the dreams and aspiration of pan-global young adults who had flocked to Seattle on the same chimera hunt.
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