01UndatedThe difference ‘twixt poet and coxcomb is precisely that the latter stops gaps like a ship fitter caulking seams, merely to keep the boat afloat, while the former doth his work as doth a man with a maid: he fills the gap, but with vigor, finesse, and care; there’s beauty and delight as well as utility in his pluggingJohn Barth / quote ↗
02UndatedThe Genie declared that in his time and place there were scientists of the passions who maintained that language itself, on the one hand, originated in 'infantile pregenital erotic exuberance, polymorphously perverse,' and that conscious attention, on the other, was a 'libidinal hypercathexis' -- by which magic phrases they seemed to mean that writing and reading, or telling and listening, were literally ways of making love.John Barth / quote ↗
03UndatedEvery artist joins a conversation that's been going on for generations, even millennia, before he or she joins the scene.John Barth / quote ↗
04UndatedAh, God, it were an easy Matter to choose a Calling hadone all Time to live in! I should be fifty Years aBarrister, fifty a Physician, fifty a Clergyman, fifty aSoldier! Aye, and fifty a Thief, and fifty a Judge! AllRoads are fine Roads, beloved Sister, none more thananother, so that with one Life to spend I am a Manbare-bumm'd at Taylors with Cash for but one pair ofBreeches, or a Scholar at Brookstalls with Money for asingle Book: to choose ten were no Trouble; to choose one,impossible! All Trades, all Crafts, all Professions arewondrous, but none is finer than the rest together. Icannot choose, sweet Anna: twixt Stools my Breech fallethto the Ground!John Barth / quote ↗
05UndatedUnhappily, things get clearer as we go along. I perceive that I have no body. What's less, I've been speaking of myself without delight or alternative as self-consciousness pure and sour; I declare now that even that isn't true. I'm not aware of myself at all, as far as I know. I don't think. . . I know what I'm talking about.John Barth / quote ↗
06Undatedpeople still fall in love, and out, yes, in and out, and out and in, and they please each other, and hurt each other, isn't that the truth, and they do these things in more or less conventionally dramatic fashion, unfashionable or not, go on, I'm going, and what goes on between them is still not only the most interesting but the most important thing in the bloody murderous worldJohn Barth / quote ↗
07UndatedThere's a great difficulty in makingchoices if you have any imagination at all. Faced with such a multitude of desireable choices, no one choiceseems satisfactory for very long by comparison with the aggregate desirability of all the rest, though compared to any *one* of the others it would not be found inferior. All equally attractive but none finally inviting.John Barth / quote ↗
08UndatedNow many crises in people’s lives occur because the hero role that they’ve assumed for one situation or set of situations no longer applies to some new situation that comes up, or–the same thing in effect–because they haven’t the imagination to distort the new situation to fit their old role. This happens to parents, for instance, when their children grow older, and to lovers when one of them begins to dislike the other. If the new situation is too overpowering to ignore, and they can’t find a mask to meet it with, they may become schizophrenic–a last-resort mask–or simply shattered. All questions of integrity involve this consideration, because a man’s integrity consists in being faithful to the script he’s written for himself. “I’ve said you’re too unstable to play any one part all the time–you’re also too unimaginative–so for you these crises had better be met by changing scripts as often as necessary. This should come naturally to you; the important thing for you is to realize what you’re doing so you won’t get caught without a script, or with the wrong script in a given situation. You did quite well, for example, for a beginner, to walk in here so confidently and almost arrogantly a while ago, and assign me the role of a quack. But you must be able to change masks at once if by some means or other I’m able to make the oneJohn Barth / quote ↗
09UndatedThe reader! You, dogged, uninsultable, print-oriented bastard, it's you I'm addressing, who else, from inside this monstrous fiction. You've read me this far, then? Even this far? For what discreditable motive? How is it you don't go to a movie, watch TV, stare at a wall, play tennis with a friend, make amorous advances to the person who comes to your mind when I speak of amorous advances? Can nothing surfeit, saturate you, turn you off? Where's your shame?John Barth / quote ↗
10UndatedSomewhere in the world there was a young woman with such splendid understanding that she'd see him entire, like a poem or story, and find his words so valuable after all that when he confessed his apprehensions she would explain why they were in fact the very things that made him precious to her...and to Western Civilization! There was no such girl, the simple truth being.John Barth / quote ↗
11UndatedTis e'er the wont of simple folk to prize the deed and overlook the motive and of learned folk to discount the deed and lay open the soul of the doer.John Barth / quote ↗
12UndatedMore history's made by secret handshakes than by battles bills and proclamations.John Barth / quote ↗
