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Jane Austen: Watercolour portrait by Cassandra AustenWatercolour portrait by Cassandra Austen

Jane Austen

Life dates: 1775 AD — 1817 AD

English novelist whose fictional conversations and changing judgments reward reading a scene rather than treating every character’s words as the author’s advice.

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Life and writing

Jane Austen (1775–1817) wrote six major novels that examine social relationships through individual situations and contrasting perspectives. The museum’s account highlights irony and free indirect style, in which a reader encounters a character’s perspective within narration. This makes the distinction between novelist, narrator and speaker important. A memorable line can reveal a character’s limits rather than offer a rule the author asks everyone to follow.

In the linked 1894 Pride and Prejudice, Darcy’s declaration and subsequent letter lead into Elizabeth’s reconsideration of what she believed. Read Chapters XXXIV–XXXVI as a sequence: an immediate reaction, a new account and an attempt to compare it with remembered conduct. The selected supplied passages concern a declaration and self-questioning. Keeping the scene around such words gives the reader more to examine than an isolated sentence.

Reading this voice

Begin with Chapters XXXIV–XXXVI, separating Saintsbury’s preface from Austen’s novel. The two selected contributor passages retain their wording and unverified source status. The museum biography and related edition provide context, not blanket authentication for the 437 records under this label. Profile life years are documented separately; they do not fill the entries’ unknown composition dates or merge other name variants.

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Quotations and sayings

01c. 1796 AD
Emma has been meaning to read more ever since she was twelve years old. I have seen a great many lists of her drawingup at various times of books that she meant to read regularly through—and very good lists they were—very well chosen, and very neatly arranged—sometimes alphabetically, and sometimes by some other rule. The list she drew up when only fourteen—I remember thinking it did her judgment so much credit, that I preserved it some time; and I dare say she may have made out a very good list now. But I have done with expecting any course of steady reading from Emma. She will never submit to any thing requiring industry and patience, and a subjection of the fancy to the understanding.
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12c. 1796 AD
Fanny spoke her feelings. "Here's harmony!" said she; "here's repose! Here's what may leave all painting and all music behind, and what may tranquillise every care, and lift the heart to rapture! When I look out on such a night as this, I feel as if there could be neither wickedness nor sorrow in the world; and there certainly would be less of both if the sublimity of Nature were more attended to, and people were carried more out of themselves by contemplating such a scene.
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13c. 1796 AD
My dear, dear aunt,' she rapturously cried, what delight! what felicity! You give me fresh life and vigour. Adieu to disappointment and spleen. What are men to rocks and mountains? Oh! what hours of transport we shall spend! And when we do return, it shall not be like other travellers, without being able to give one accurate idea of any thing. We will know where we have gone -- we will recollect what we have seen. Lakes, mountains, and rivers shall not be jumbled together in our imaginations; nor, when we attempt to describe any particular scene, will we begin quarrelling about its relative situation. Let our first effusions be less insupportable than those of the generality of travellers.
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18c. 1796 AD
And such is your definition of matrimony and dancing. Taken in that light, certainly their resemblance is not striking; but I think I could place them in such a view. You will allow that in both man has the advantage of choice, woman only the power of refusal; that in both it is an engagement between man and woman, formed for the advantage of each; and that when once entered into, they belong exclusively to each other till the moment of its dissolution; that it is their duty each to endeavor to give the other no cause for wishing that he or she had bestowed themselves elsewhere, and their best interest to keep their own imaginations from wandering towards the perfections of their neighbors, or fancying that they should have been better off with any one else.
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