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Jane Austen: Watercolour portrait by Cassandra AustenWatercolour portrait by Cassandra Austen

Jane Austen

Life dates: 1775 AD — 1817 AD

English novelist whose fictional conversations and changing judgments reward reading a scene rather than treating every character’s words as the author’s advice.

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Life and writing

Jane Austen (1775–1817) wrote six major novels that examine social relationships through individual situations and contrasting perspectives. The museum’s account highlights irony and free indirect style, in which a reader encounters a character’s perspective within narration. This makes the distinction between novelist, narrator and speaker important. A memorable line can reveal a character’s limits rather than offer a rule the author asks everyone to follow.

In the linked 1894 Pride and Prejudice, Darcy’s declaration and subsequent letter lead into Elizabeth’s reconsideration of what she believed. Read Chapters XXXIV–XXXVI as a sequence: an immediate reaction, a new account and an attempt to compare it with remembered conduct. The selected supplied passages concern a declaration and self-questioning. Keeping the scene around such words gives the reader more to examine than an isolated sentence.

Reading this voice

Begin with Chapters XXXIV–XXXVI, separating Saintsbury’s preface from Austen’s novel. The two selected contributor passages retain their wording and unverified source status. The museum biography and related edition provide context, not blanket authentication for the 437 records under this label. Profile life years are documented separately; they do not fill the entries’ unknown composition dates or merge other name variants.

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Quotations and sayings

01c. 1796 AD
I am no novel-reader -- I seldom look into novels -- Do not imagine that I often read novels -- It is really very well for a novel." Such is the common cant. "And what are you reading, Miss -- ?" "Oh! It is only a novel!" replies the young lady, while she lays down her book with affected indifference, or momentary shame. "It is only Cecilia, or Camilla, or Belinda"; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language.
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07c. 1796 AD
You feel, I suppose, that, in losing Isabella, you lose half yourself: you feel a void in your heart which nothing else can occupy. Society is becoming irksome; and as for the amusements in which you were wont to share at Bath, the very idea of which without her is abhorrent. You would not, for instance, now go to a ball for the world. You feel that you have no longer any friend to whom you can speak with unreserve; on whose regard you can place dependence; or whose counsel, in any difficult, you could rely on.
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23c. 1796 AD
The conversation soon turned upon fishing, and she heard Mr. Darcy invite him, with the greatest civility, to fish there as often as he chose while he continued in the neighbourhood, offering at the same time to supply him with fishing tackle, and pointing out those parts of the stream where there was usually most sport. Mrs. Gardiner, who was walking arm in arm with Elizabeth, gave her a look expressive of her wonder. Elizabeth said nothing, but it gratified her exceedingly; the compliment must be all for herself. Her astonishment, however, was extreme; and continually was she repeating, "Why is he so altered? From what can it proceed? It cannot be for me, it cannot be for my sake that his manners are thus softened. My reproofs at Hunsford could not work such a change as this. It is impossible that he should still love me.
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