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Jane Austen: Watercolour portrait by Cassandra AustenWatercolour portrait by Cassandra AustenCassandra Austen, circa 1810; public domain · Public domain

Jane Austen

Life dates: 1775 AD — 1817 AD

English novelist whose fictional conversations and changing judgments reward reading a scene rather than treating every character’s words as the author’s advice.

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Life and writing

Jane Austen (1775–1817) wrote six major novels that examine social relationships through individual situations and contrasting perspectives. The museum’s account highlights irony and free indirect style, in which a reader encounters a character’s perspective within narration. This makes the distinction between novelist, narrator and speaker important. A memorable line can reveal a character’s limits rather than offer a rule the author asks everyone to follow.

In the linked 1894 Pride and Prejudice, Darcy’s declaration and subsequent letter lead into Elizabeth’s reconsideration of what she believed. Read Chapters XXXIV–XXXVI as a sequence: an immediate reaction, a new account and an attempt to compare it with remembered conduct. The selected supplied passages concern a declaration and self-questioning. Keeping the scene around such words gives the reader more to examine than an isolated sentence.

Reading this voice

Begin with Chapters XXXIV–XXXVI, separating Saintsbury’s preface from Austen’s novel. The two selected contributor passages retain their wording and unverified source status. The museum biography and related edition provide context, not blanket authentication for the 437 records under this label. Profile life years are documented separately; they do not fill the entries’ unknown composition dates or merge other name variants.

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Profile sources and editorial notes

Agent-assisted editorial profile, updated 2026-10-05. A human reviewer is not recorded. Biographical context does not independently authenticate every quotation attributed to this person.

Quotations and sayings

07c. 1796 AD
Depend upon it you see but half. You see the evil, but you do not see the consolation. There will be little rubs and disappointments everywhere, and we are all apt to expect too much; but then if one scheme of happiness fails, human nature turns to another; if the first calculation is wrong, we make a second better; we find comfort somewhere- and those evil-minded observers, dearest Mary, who make much of a little, are more taken in and deceived than the parties themselves.
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17c. 1796 AD
You are infinitely my superior in merit; all that I know - You have qualities which I had not supposed to exist in such a degree in any human creature. You have some touches of the angel in you, beyond what - not merely beyond what one sees, because one never sees any thing like it - but beyond what one fancies might be. But still I am not frightened. It is not by equality of merit that you can be won. That is out of the question. It is he who sees and worships your merit the strongest, who loves you most devotedly, that has the best right to a return.” (326)
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