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Jane Austen: Watercolour portrait by Cassandra AustenWatercolour portrait by Cassandra AustenCassandra Austen, circa 1810; public domain · Public domain

Jane Austen

Life dates: 1775 AD — 1817 AD

English novelist whose fictional conversations and changing judgments reward reading a scene rather than treating every character’s words as the author’s advice.

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Life and writing

Jane Austen (1775–1817) wrote six major novels that examine social relationships through individual situations and contrasting perspectives. The museum’s account highlights irony and free indirect style, in which a reader encounters a character’s perspective within narration. This makes the distinction between novelist, narrator and speaker important. A memorable line can reveal a character’s limits rather than offer a rule the author asks everyone to follow.

In the linked 1894 Pride and Prejudice, Darcy’s declaration and subsequent letter lead into Elizabeth’s reconsideration of what she believed. Read Chapters XXXIV–XXXVI as a sequence: an immediate reaction, a new account and an attempt to compare it with remembered conduct. The selected supplied passages concern a declaration and self-questioning. Keeping the scene around such words gives the reader more to examine than an isolated sentence.

Reading this voice

Begin with Chapters XXXIV–XXXVI, separating Saintsbury’s preface from Austen’s novel. The two selected contributor passages retain their wording and unverified source status. The museum biography and related edition provide context, not blanket authentication for the 437 records under this label. Profile life years are documented separately; they do not fill the entries’ unknown composition dates or merge other name variants.

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Profile sources and editorial notes

Agent-assisted editorial profile, updated 2026-10-05. A human reviewer is not recorded. Biographical context does not independently authenticate every quotation attributed to this person.

Quotations and sayings

05c. 1796 AD
...and yet, though desirous to be gone, she could not quit the mansion-house, or look an adieu to the cottage, with its black, dripping and comfortless veranda, or even notice through the misty glasses the last humble tenements of the village, without a saddened heart. Scenes had passed in Uppercross which made it precious. It stood the record of many sensations of pain, once severe, but now softened; and of some instances of relenting feeling, some breathings of friendship and reconciliation, which could never be looked for again, and which could never cease to be dear. She left it all behind her, all but the recollection that such things had been.
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15c. 1796 AD
To begin perfect happiness at the respective ages of twenty-six and eighteen, is to do pretty well; and professing myself moreover convinced, that the General's unjust interference, so far from being really injurious to their felicity, was perhaps rather conducive to it, by improving their knowledge of each other, and adding strength to their attachment, I leave it to be settled by whomsoever it may concern, whether the tendency of this work be altogether to recommend parental tyranny, or reward filial disobedience.
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18c. 1796 AD
If a woman conceals her affection with the same skill from the object of it, she may lose the opportunity of fixing him; and it will then be but poor consolation to believe the world equally in the dark. There is so much of gratitude or vanity in almost any attachment, that it is not safe to leave any to itself. We can all begin ‘freely’- as light preference is natural enough; but there are very few of us who have a heart enough to be really in love without encouragement.
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22c. 1796 AD
What do you know of my heart? What do you know of anything but your own suffering. For weeks, Marianne, I've had this pressing on me without being at liberty to speak of it to a single creature. It was forced on me by the very person whose prior claims ruined all my hope. I have endured her exultations again and again whilst knowing myself to be divided from Edward forever. Believe me, Marianne, had I not been bound to silence I could have provided proof enough of a broken heart, even for you.
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