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EWEdith Wharton

Edith Wharton

Life dates: 1862 AD — 1937 AD

Wharton’s narrator and Ellen Olenska expose a gap between social kindness and permission to speak honestly. Read the opera’s elaborate convention beside Ellen’s complaint, while distinguishing satire and dialogue from direct instructions.

▷ Play this voiceSearch these words ↗Place in time ↗timelifefriendshiploveknowledgewisdomhappinessmind

Life and writing

The catalogue identifies Edith Wharton and gives her lifetime as 1862–1937. The linked electronic text has two books and thirty-four chapters, followed by a note describing its textual basis. That note identifies a Library of America reprint based on the sixth impression of the first edition; it is editorial material, not Wharton’s narrative voice. The digital credits name Judith Boss and Charles Keller, with the HTML version by Al Haines. The catalogue declares this electronic edition public domain in the USA. No editorial note or complete novel is imported into the archive.

Chapter I’s account of an opera performed through several languages is narrated with irony: Archer finds the convention as natural as his other social habits. It is not a factual rule that translation must proceed that way. In Chapter IX, Ellen Olenska answers Archer’s reassurance about her relatives by describing loneliness among people who require pretence. Both complete selected extracts match the linked English text under limited normalization. The second line belongs to Ellen in a distressed conversation, while the first belongs to the narrator’s satire. Neither is an instruction Wharton directly gives every reader.

Reading this voice

Read Book I, Chapters I and IX together. Notice how the opening narrator describes accepted conventions and how Ellen later questions the conditions attached to social kindness. Both complete selected English extracts match this electronic text under punctuation, case and spacing comparison. Keep the narrator, Ellen and the novelist distinct. The final textual note describes this edition’s basis; it does not authenticate all contributor-labelled archive sayings or supply their composition dates.

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Quotations and sayings

03c. 1899 AD
They had paused before the table on which the bride’s jewel were displayed, and Lily’s heart gave an envious throb as she caught the refraction of light from their surfaces – the milky gleam of perfectly matched pearls, the flash of rubies relieved against contrasting velvet, the intense blue rays of sapphires kindled into light by surrounding diamonds: all these precious tints enhanced and deepened by the varied art of their setting. The glow of the stones warmed Lily’s veins like wine. More completely than any other expression of wealth they symbolized the life she longed to lead, the life of fastidious aloofness and refinement in which every detail should have the finish of a jewel, and the whole form a harmonious setting to her own jewel-like rareness.
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19c. 1899 AD
The immense accretion of flesh which had descended on her in middle life like a flood of lava on a doomed city had changed her from a plump active little woman with a neatly-turned foot and ankle into something as vast and august as a natural phenomenon. She had accepted this submergence as philosophically as all her other trials, and now, in extreme old age, was rewarded by presenting to her mirror an almost unwrinkled expanse of firm pink and white flesh, in the centre of which the traces of a small face survived as if awaiting excavation. A flight of smooth double chins led down to the dizzy depths of a still-snowy bosom veiled in snowy muslins that were held in place by a miniature portrait of the late Mr. Mingott; and around and below, wave after wave of black silk surged away over the edges of a capacious armchair, with two tiny white hands poised like gulls on the surface of the billows.
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