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The collection / 666 fragments

Work.

Explore passages mentioning work, labour. Topic suggestions use transparent word matching, not scholarly classification. Editorial meanings and lexical matches are discovery aids, not independent authentication of a quotation.

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666 results · Page 25 of 28Play this collection ▷
01Undated
1. The government that seems the most unwise, Oft goodness to the people best supplies; That which is meddling, touching everything, Will work but ill, and disappointment bring. Misery!—happiness is to be found by its side! Happiness!—misery lurks beneath it! Who knows what either will come to in the end? 2. Shall we then dispense with correction? The (method of) correction shall by a turn become distortion, and the good in it shall by a turn become evil. The delusion of the people (on this point) has indeed subsisted for a long time. 3. Therefore the sage is (like) a square which cuts no one (with its angles); (like) a corner which injures no one (with its sharpness). He is straightforward, but allows himself no license; he is bright, but does not dazzle.
Laozi (traditional attribution) / quote
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02c. 1486 AD
I know that many will say that this work is useless, and these are they of whom Demetrius said recked no more of the breath which made the words proceed from their mouth, than of the wind which proceeded from their body,—men who seek solely after riches and bodily satisfaction, men entirely denuded of that wisdom which is the food and verily the wealth of the soul; because insomuch as the soul is of greater value than the body, so much greater are the riches of the soul than those of the body. And often when I see one of these take this work in his hand, I wonder whether, like a monkey, he will not smell it and ask me if it is something to eat.
Leonardo da Vinci / quote
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03c. 1486 AD
Although I may not be able to quote other authors, as they do, I can quote from a greater and more worthy source, namely, experience,—the teacher of their masters. They go about swelled with pride and pomposity, dressed up and bedight, not with their own labour, but with that of others; and they will not concede me mine. And if they despise me, who am a creator, far more are they, who do not create but trumpet abroad and exploit the works of other men, to be blamed.
Leonardo da Vinci / quote
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06c. 1486 AD
Now you see that the hope and the desire of returning home to one's former state is like the desire of the moth for the light, and the man who, with constant yearning and joyful expectancy, awaits the new spring and the new summer, and every new month and the new year, and thinks that what he longs for is ever too late in coming, and does not perceive that he is longing for his own destruction. But this desire is the quintessence, the spirit, of the elements, which, finding itself captive in the soul of the human body, desires always to return to its giver. And I would have you know that this same desire is the quintessence which is inseparable from nature, and that man is the model of the world. And such is the supreme folly of man that he labours so as to labour no more, and life flies from him while he forever hopes to enjoy the goods which he has acquired at the price of great labour.
Leonardo da Vinci / quote
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07c. 1486 AD
And thou, O man, who wilt gaze in this work of mine on the marvellous works of nature, if thou thinkest it would be an act of wickedness to destroy it, think how much more wicked it is to take the life of a man; and if this his structure appears to thee a miraculous work of art, remember that it is nothing in comparison with the soul which inhabits this structure; for verily, whatever it may be, it is divine. Let it, then, dwell in His work and at His good will, and let not thy rage or malice destroy so great a thing as life, for he who does not value it does not deserve it.
Leonardo da Vinci / quote
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10c. 1486 AD
Here is a thing which the more it is needed the more it is rejected: and this is advice, which is unwillingly heeded by those who most need it, that is to say, by the ignorant. Here is a thing which the more you fear and avoid it the nearer you approach to it, and this is misery; the more you flee from it the more miserable and restless you will become. When the work comes up to the standard of the judgement, this is a bad sign for the judgement; and when the work excels the standard of the judgement, this is the worst sign, as occurs when a man marvels at having worked so well; and when the standard of the judgement exceeds that fulfilled by the work, this is a sign of perfection; and if the man is young and be thus disposed, he will without doubt grow into an excellent workman: he will only accomplish few works. But they will be of a quality which will compel men to contemplate their perfection with admiration.
Leonardo da Vinci / quote
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11c. 1486 AD
Rather privation of limbs than weariness of doing good. The power of using my limbs shall fail me before the power of being useful. Rather death than weariness. I cannot be satiated with serving. I do not weary of giving help. No amount of work is sufficient to weary me. This is a carnival motto: "Sine lassitudine." Hands in which ducats and precious stones abound like snow never grow weary of serving, but such a service is for its utility only and not for our profit. Nature has formed me thus.
Leonardo da Vinci / quote
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12c. 1486 AD
Because writers have had no knowledge of the science of painting, they have not been able to describe its gradations and parts, and since painting itself does not reveal itself nor its artistic work in words, it has remained, owing to ignorance, behind the sciences mentioned above, but it has thereby lost nothing of its divinity. And truly it is not without reason that men have failed to honour it, because it does honour to itself without the aid of the speech of others, just as do the excellent works of nature. And if the painters have not described the art of painting, and reduced it to a science, the fault must not be imputed to painting and it is no less noble on that account, since few painters profess a knowledge of letters, as their life would not be long enough for them to acquire such knowledge. Therefore we ask, Is the virtue of herbs, stones and plants non-existent because men have been ignorant of it? Certainly not; but we will say that these herbs remained noble in themselves without the aid of human tongues or letters.
Leonardo da Vinci / quote
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13c. 1486 AD
Thou sayest, O painter, that worship is paid to thy work, but impute not this power to thyself, but to the subject which such a picture represents. Here the painter makes answer: O thou poet, who sayest that thou also art an imitator, why dost thou not represent with thy words objects of such a nature that thy writings which contain these words may be worshipped also? But nature has favoured the painter more than the poet, and it is fair that the works of the more greatly favoured one should be more honoured than those of the less favoured one. Therefore let us praise him who with words satisfies the hearing, and him who by painting affords perfect content to the eyes; but let the praise given to the worker in words be less, inasmuch as they are accidental and created by a less worthy author than the works of nature of which the painter is the imitator. And the existence of these works is confined within the forms of their surfaces.
Leonardo da Vinci / quote
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14c. 1486 AD
Were a master to boast that he could remember all the forms and effects of nature, he would certainly appear to me to be graced with great ignorance, inasmuch as these effects are infinite and our memory is not sufficiently capacious to retain them. Therefore, O painter, beware lest in thee the lust of gain should overcome the honour of thy art, for the acquisition of honour is a much greater thing than the glory of wealth. Thus, for this and for other reasons which could be given, first strive in drawing to express to the eye in a manifest shape the idea and the fancy originally devised by thy imagination; then go on adding or removing until thou art satisfied; then arrange men as models, clothed or nude, according to the intention of thy work, and see that, as regards dimension and size, in accordance with perspective there is no portion of the work which is not in harmony with reason and natural effects, and this will be the way to win honour in thy art.
Leonardo da Vinci / quote
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18c. 1486 AD
The mind of the painter must be like unto a mirror, which ever takes the colour of the object it reflects, and contains as many images as there are objects before it. Therefore realize, O painter, that thou canst not succeed unless thou art the universal master of imitating by thy art every variety of nature's forms, and this thou canst not do save by perceiving them and retaining them in thy mind; wherefore when thou walkest in the country let thy mind play on various objects, observe now this thing and now that thing, making a store of various objects selected and chosen from those of lesser value. And thou shalt not do as some painters, who, when weary of plying their fancy, dismiss their work from their mind and take exercise in walking for relaxation, but retain fatigue in the mind, which, though they see various objects, does not apprehend them, but often when they meet friends and relations and are saluted by them, they are no more conscious of them than if they had met empty air.
Leonardo da Vinci / quote
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19c. 1486 AD
These rules are only to be used in correcting the figures, since every man makes some mistakes in his first composition, and he who is not aware of them cannot correct them; but thou being conscious of thine errors wilt correct thy work and amend errors where thou findest them, and take care not to fall into them again. But if thou attemptest to apply these rules in composition thou wilt never finish anything, and confusion will enter into thy work. Through these rules thou shalt acquire a free and sound judgement, since sound judgement and thorough understanding proceed from reason arising from sound rules, and sound rules are the offspring of sound experience, the common mother of all the sciences and arts. Hence if thou bearest in mind the precepts of my rules thou shalt be able, merely by thy corrected judgement, to judge and recognize any lack of proportion in a work, in perspective, in figures or anything else.
Leonardo da Vinci / quote
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20c. 1486 AD
Every bough and every fruit is born above the insertion of its leaf, which serves it as a mother, giving it water from the rain and moisture from the dew which falls on it from above in the night, and often it shields them from the heat of the sun's rays. Therefore, O painter, who lackest such rules, be desirous, in order to escape the blame of those who know, of copying every one of thy objects from nature, and despise not study after the manner of those who work for gain.
Leonardo da Vinci / quote
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22c. 1486 AD
We are well aware that faults are more easily recognized in the works of others than in our own, and often in blaming the small faults of others thou wilt ignore great ones in thyself. And to avoid such ignorance see that in the first place thy perspective be sound, then acquire a complete knowledge of the measurements of man and other animals, and of good architecture; that is to say, as far as the forms of buildings and other objects which are on the earth are concerned, and these are infinite in number. The more of them that thou knowest, the more praiseworthy will be thy work; and in cases where thou hast no experience do not refuse to draw them from nature.
Leonardo da Vinci / quote
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23c. 1486 AD
Certainly while a man is painting he should not be loth to hear every opinion: since we know well that a man, although he be not a painter, is cognizant of the forms of another man, and will be able to judge them, whether he is hump-backed or has a shoulder too high or too low, or whether he has a large mouth or nose, or other defects. And if we know that men are capable of giving a correct judgement on the works of nature, much more ought we to acknowledge their competence to judge our faults, since we know how greatly a man may be deceived in his own work; and if thou art not conscious of this in thyself, study it in others and thou wilt profit by their faults. Therefore be desirous to bear with patience the opinions of others, and consider and reflect well whether he who blames has good ground or not to blame thee, and if thou thinkest that he has, amend thy work; and if not, act as though thou hadst not heard him, and if he should be a man thou esteemest show him by reasoning where his mistake lies.
Leonardo da Vinci / quote
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24c. 1486 AD
There is a certain generation of painters who, owing to the scantiness of their studies, must needs live up to the beauty of gold and azure, and with supreme folly declare that they will not give good work for poor payment, and that they could do as well as others if they were well paid. Now consider, foolish people! Cannot such men reserve some good work and say, "This is costly; this is moderate, and this is cheap work," and show that they have work at every price?
Leonardo da Vinci / quote
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