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Truth.

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02c. 1486 AD
Although human ingenuity may devise various inventions which, by the help of various instruments, answer to one and the same purpose, yet will it never discover any inventions more beautiful, more simple or more practical than those of nature, because in her inventions there is nothing lacking and nothing superfluous; and she makes use of no counterpoise when she constructs the limbs of animals in such a way as to correspond to the motion of their bodies, but she puts into them the soul of the body. This is not the proper place for this discourse, which belongs rather to the subject of the composition of animated bodies; and the rest of the definition of the soul I leave to the minds of the friars, the fathers of the people, who know all secrets by inspiration. I leave the sacred books alone, because they are the supreme truth.
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04c. 1486 AD
I will not dwell on false physiognomy and chiromancy because there is no truth in them, and this is manifest because chimeras of this kind have no scientific foundation. It is true that the lineaments of the face partly reveal the character of men, their vices and temperaments; but in the face: (a) the features which separate the cheeks from the lips, and the nostrils and cavities of the eyes, are strongly marked if they belong to cheerful and good-humoured men, and if they are slightly marked it denotes that the men to whom they belong are given to meditation, (b) Those whose features stand out in great relief and depth are brutal and bad-tempered, and reason little, (c) Those who have strongly marked lines between the eyebrows are bad-tempered, (d) Those who have strongly marked lines on the forehead are men full of concealed or unconcealed bewailing. And we can reason thus about many features. But the hand? You will find that whole armies perished in the same hour by the sword in which no two men had similar marks in their hands, and the same argument applies to a shipwreck.
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07c. 1486 AD
There exists among the foolish a certain sect of hypocrites who continually seek to deceive themselves and others, but others more than themselves, though in reality they deceive themselves more than others. And these are they who blame the painters who study on feast-days the things which relate to the true knowledge of the forms of the works of nature, and sedulously strive to acquire knowledge of these things to the best of their ability. But such fault-finders pass over in silence the fact that this is the true manner of knowing the Artificer of such great and marvellous things, and that this is the true way in which to love so great an Inventor! For great love proceeds from the perfect knowledge of the thing loved; and if you do not know it you can love it but little or not at all; and if you love it for the gain which you anticipate obtaining from it and not for its supreme virtue, you are like the dog which wags its tail and shows signs of joy, leaping towards him who can give him a bone. But if you knew the virtue of a man you would love him more—if that virtue was in its place.
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08c. 1486 AD
Fire destroys falsehood,—that is to say, sophistry,—and rehabilitates truth, scattering the darkness. Fire must be represented as the consumer of all sophistry and the revealer of truth, because it is light and scatters darkness which conceals all essences. Fire destroys all sophistry,—that is to say, deceit,—and preserves truth alone, which is gold. Truth cannot be concealed in the end, dissimulation is of no avail. Dissimulation is frustrated before so great a judge. Falsehood puts on a mask. There is nothing hidden under the sun. Fire must represent truth because it destroys all sophistry and lies, and the mask is for sophistry and lies, which conceal truth.
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12c. 1486 AD
What poet will place before thee in words, O lover, the true semblance of thy idea with such truth as will the painter? Who is he who will show thee rivers, woods, valleys and plains, which will recall to thee the pleasures of the past, with greater truth than the painter? And if thou sayest that painting is mute poetry in itself, unless there be some one to speak for it and tell what it represents—seest thou not, then, that thy book is on a lower plane? Because even if it have a man to speak for it, nothing of the subject which is related can be seen, as it is seen when a picture is explained. And the pictures, if the action represented and the mental attributes of the figures are in the true proportion one to another, will be understood in the same way as if they spoke.
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13c. 1486 AD
If the painter wishes to see beautiful things which will enchant him he is able to beget them; if he wishes to see monstrous things which terrify, or grotesque and laughable things, or truly piteous things, he can dispose of all these; if he wishes to evoke places and deserts, shady or dark retreats in the hot season, he represents them, and likewise warm places in the cold season. If he wishes valleys, if he wishes to descry a great plain from the high summits of the mountains, and if he wishes after this to see the horizon of the sea, he can do so; and from the low valleys he can gaze on the high mountains, or from the high mountains he can scan the low valleys and shores; and in truth all quantities of things that exist in the universe, either real or imaginary, he has first in his mind and then in his hands; and these things are of so great excellence that they beget a harmonious concord in one glance, as do the things of nature.
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14c. 1486 AD
Envy offends with false infamy, that is to say, by detraction which frightens virtue. Envy must be represented with the hands raised to heaven in contempt, because if she could she would use her power against God. Make her face covered with a goodly mark; show her as wounded in the eye by a palm-branch, and wounded in the ear by laurel and myrtle, to signify that victory and truth offend her. Draw many thunderbolts proceeding from her as a symbol of her evil-speaking. Make her lean and shrivelled up, because she is continual dissolution. Make her heart gnawed by a swelling serpent. Make her a quiver full of tongues for arrows, because she often offends with these. Make her a leopard's skin, because the leopard kills the lion through envy and by deceit. Place a vase in her hand full of flowers, and let it be full also of scorpions, toads and other reptiles. Let her ride Death, because Envy, which is undying, never wearies of sovereignty. Make her a bridle loaded with divers arms, because her weapons are all deadly. As soon as virtue is born it begets envy which attacks it; and sooner will there exist a body without a shadow than virtue unaccompanied by envy.
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16c. 1486 AD
Before I proceed further I will make some experiments, because it is my intention to cite the experiment first and then to demonstrate by reasoning how such an experiment must necessarily take effect in such a manner. And this is the true rule by which investigations of natural phenomena must proceed; and although nature herself begins from the reason and ends in the result, we must pursue the contrary course and begin, as I said above, from experience and by it seek out the reason.
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18c. 1872 AD
Works and Faith.—Protestant teachers are still spreading the fundamental error that faith only is of consequence, and that works must follow naturally upon faith. This doctrine is certainly not true, but it is so seductive in appearance that it has succeeded in fascinating quite other intellects than that of Luther (e.g. the minds of Socrates and Plato): though the plain evidence and experience of our daily life prove the contrary. The most assured knowledge and faith cannot give us either the strength or the dexterity required for action, or the practice in that subtle and complicated mechanism which is a prerequisite for anything to be changed from an idea into action. Then, I say, let us first and foremost have works! and this means practice! practice! practice! The necessary faith will come later—be certain of that!
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19c. 1872 AD
The Brake.—To suffer morally, and then to learn afterwards that this kind of suffering was founded upon an error, shocks us. For there is a unique consolation in acknowledging, by our suffering, a “deeper world of truth” than any other world, and we would much rather suffer and feel ourselves above reality by doing so (through the feeling that, in this way, we approach nearer to that “deeper world of truth”), than live without suffering and hence without this feeling of the sublime. Thus it is pride, and the habitual fashion of satisfying it, which opposes this new interpretation of morality. What power, then, must we bring into operation to get rid of this brake? Greater pride? A new pride?
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20c. 1872 AD
Error as a Cordial.—Let people say what they will, it is nevertheless certain that it was the aim of Christianity to deliver mankind from the yoke of moral engagements by indicating what it believed to be the shortest way to perfection: exactly in the same manner as a few philosophers thought they could dispense with tedious and laborious dialectics, and the collection of strictly-proved facts, and point out a royal road to truth. It was an error in both cases, but nevertheless a great cordial for those who were worn out and despairing in the wilderness.
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21c. 1872 AD
For the “Truth”!—“The truth of Christianity was attested by the virtuous lives of the Christians, their firmness in suffering, their unshakable belief and above all by the spread and increase of the faith in spite of all calamities.”—That's how you talk even now. The more's the pity. Learn, then, that all this proves nothing either in favour of truth or against it; that truth must be demonstrated differently from conscientiousness, and that the latter is in no respect whatever an argument in favour of the former.
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22c. 1872 AD
What is Truth?—Who will not be pleased with the conclusions which the faithful take such delight in coming to?—“Science cannot be true; for it denies God. Hence it does not come from God; and consequently it cannot be true—for God is truth.” It is not the deduction but the premise which is fallacious. What if God were not exactly truth, and if this were proved? And if he were instead the vanity, the desire for power, the ambitions, the fear, and the enraptured and terrified folly of mankind?
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23c. 1872 AD
Dreaming and Responsibility.—You would wish to be responsible for everything except your dreams! What miserable weakness, what lack of logical courage! Nothing contains more of your own work than your dreams! Nothing belongs to you so much! Substance, form, duration, actor, spectator—in these comedies you act as your complete selves! And yet it is just here that you are afraid and ashamed of yourselves, and even Oedipus, the wise Oedipus, derived consolation from the thought that we cannot be blamed for what we dream. From this I must conclude that the great majority of men must have some dreadful dreams to reproach themselves with. If it were otherwise, to how great an extent would these nocturnal fictions have been exploited in the interests of man's pride! Need I add that the wise Oedipus was right, that we are really not responsible for our dreams any more than for our waking hours, and that the doctrine of free will has as its parents man's pride and sense of power! Perhaps I say this too often; but that does not prove that it is not true.
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24c. 1872 AD
Against Rousseau.—If it is true that there is something contemptible about our civilisation, we have two alternatives: of concluding with Rousseau that, “This despicable civilisation is to blame for our bad morality,” or to infer, contrary to Rousseau's view, that “Our good morality is to blame for this contemptible civilisation. Our social conceptions of good and evil, weak and effeminate as they are, and their enormous influence over both body and soul, have had the effect of weakening all bodies and souls and of crushing all unprejudiced, independent, and self-reliant men, the real pillars of a strong civilisation: wherever we still find the evil morality to-day, we see the last crumbling ruins of these pillars.” Thus let paradox be opposed by paradox! It is quite impossible for the truth to lie with both sides: and can we say, indeed, that it lies with either? Decide for yourself.
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