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Life.

Explore passages mentioning life, living. Topic suggestions use transparent word matching, not scholarly classification. Editorial meanings and lexical matches are discovery aids, not independent authentication of a quotation.

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03c. 1872 AD
A Good Book Needs Time.—Every good book tastes bitter when it first comes out, for it has the defect of newness. Moreover, it suffers damage from its living author, if he is well known and much talked about. For all the world is accustomed to confuse the author with his work. Whatever of profundity, sweetness, and brilliance the work may contain must be developed as the years go by, under the care of growing, then old, and lastly traditional reverence. Many hours must pass, many a spider must have woven its web about the book. A book is made better by good readers and clearer by good opponents.
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04c. 1872 AD
Looking Forward and Backward.—An art like that which streams out of Homer, Sophocles, Theocritus, Calderon, Racine, Goethe, as the superabundance of a wise and harmonious conduct of life—that is the true art, at which we grasp when we have ourselves become wiser and more harmonious. It is not that barbaric, if ever so delightful, outpouring of hot and highly coloured things from an undisciplined, chaotic soul, which is what we understood by “art” in our youth. It is obvious from the nature of the case that for certain periods of life an art of overstrain, excitement, antipathy to the orderly, monotonous, simple, logical, is an inevitable need, to which artists must respond, lest the soul of such periods should unburden itself in other ways, through all kinds of disorder and impropriety. Hence youths as they generally are, full, fermenting, tortured above all things by boredom, and women who lack work that fully occupies their soul, require that art of delightful disorder. All the more violently on that account are they inflamed with a desire for satisfaction without change, happiness without stupor and intoxication.
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05c. 1872 AD
Not To Be a Soldier of Culture Without Necessity.—At last people are learning what it costs us so dear not to know in our youth—that we must first do superior actions and secondly seek the superior wherever and under whatever names it is to be found; that we must at once go out of the way of all badness and mediocrity without fighting it; and that even doubt as to the excellence of a thing (such as quickly arises in one of practised taste) should rank as an argument against it and a reason for completely avoiding it. We must not shrink from the danger of occasionally making a mistake and confounding the less accessible good with the bad and imperfect. Only he who can do nothing better should attack the world's evils as the soldier of culture. But those who should support culture and spread its teachings ruin themselves if they go about armed, and by precautions, night-watches, and bad dreams turn the peace of their domestic and artistic life into sinister unrest.
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06c. 1872 AD
Against the Cultivation of Music.—The artistic training of the eye from childhood upwards by means of drawing, painting, landscape-sketching, figures, scenes, involves an estimable gain in life, making the eyesight keen, calm, and enduring in the observation of men and circumstances. No similar secondary advantage arises from the artistic cultivation of the ear, whence public schools will generally do well to give the art of the eye a preference over that of the ear.
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07c. 1872 AD
Travellers and their Grades.—Among travellers we may distinguish five grades. The first and lowest grade is of those who travel and are seen—they become really travelled and are, as it were, blind. Next come those who really see the world. The third class experience the results of their seeing. The fourth weave their experience into their life and carry it with them henceforth. Lastly, there are some men of the highest strength who, as soon as they have returned home, must finally and necessarily work out in their lives and productions all the things seen that they have experienced and incorporated in themselves.—Like these five species of travellers, all mankind goes through the whole pilgrimage of life, the lowest as purely passive, the highest as those who act and live out their lives without keeping back any residue of inner experiences.
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08c. 1872 AD
Disappointment.—When a long life of action distinguished by speeches and writings gives publicity to a man's personality, personal intercourse with him is generally disappointing on two grounds. Firstly, one expects too much from a brief period of intercourse (namely, all that the thousand and one opportunities of life can alone bring out). Secondly, no recognised person gives himself the trouble to woo recognition in individual cases. He is too careless, and we are at too high a tension.
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11c. 1872 AD
The Eternal Child.—We think, short-sighted that we are, that fairy-tales and games belong to childhood. As if at any age we should care to live without fairy-tales and games! Our words and sentiments are indeed different, but the essential fact remains the same, as is proved by the child himself looking on games as his work and fairy-tales as his truth. The shortness of life ought to preserve us from a pedantic distinction between the different ages—as if every age brought something new—and a poet ought one day to portray a man of two hundred, who really lives without fairy-tales and games.
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12c. 1872 AD
Every Philosophy is the Philosophy of a Period of Life.—The period of life in which a philosopher finds his teaching is manifested by his teaching; he cannot avoid that, however elevated above time and hour he may feel himself. Thus, Schopenhauer's philosophy remains a mirror of his hot and melancholy youth—it is no mode of thought for older men. Plato's philosophy reminds one of the middle thirties, when a warm and a cold current generally rush together, so that spray and delicate clouds and, under favourable circumstances and glimpses of sunshine, enchanting rainbow-pictures result.
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15c. 1872 AD
Virtue was not Invented by the Germans.—Goethe's nobleness and freedom from envy, Beethoven's fine hermitical resignation, Mozart's cheerfulness and grace of heart, Handel's unbending manliness and freedom under the law, Bach's confident and luminous inner life, such as does not even need to renounce glamour and success—are these qualities peculiarly German?—If they are not, they at least prove to what goal Germans should strive and to what they can attain.
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17c. 1872 AD
Real and Personal Estate.—When life has treated us in true robber fashion, and has taken away all that it could of honour, joys, connections, health, and property of every kind, we perhaps discover in the end, after the first shock, that we are richer than before. For now we know for the first time what is so peculiarly ours that no robber hand can touch it, and perhaps, after all the plunder and devastation, we come forward with the airs of a mighty real estate owner.
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19c. 1872 AD
Staircase Happiness.—Just as the wit of many men does not keep pace with opportunity (so that opportunity has already passed through the door while wit still waits on the staircase outside), so others have a kind of staircase happiness, which walks too slowly to keep pace with swift-footed Time. The best that it can enjoy of an experience, of a whole span of life, falls to its share long afterwards, often only as a weak, spicy fragrance, giving rise to longing and sadness—as if “it might have been possible”—some time or other—to drink one's fill of this element: but now it is too late.
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