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10,344 results · Page 21 of 431Play this collection ▷
01In print by 1857 AD
No grass grows on a beaten road.

Meaning: Repeated use prevents a place from settling undisturbed. The beaten road represents a route kept clear by frequent passage, rather than a place left to grow over.

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13c. 1872 AD
A Substitute For Religion.—It is believed that something good is said of philosophy when it is put forward as a substitute for religion for the people. As a matter of fact, in the spiritual economy there is need, at times, of an intermediary order of thought: the transition from religion to scientific contemplation is a violent, dangerous leap, which is not to be recommended. To this extent the recommendation is justifiable. But one should eventually learn that the needs which have been satisfied by religion and are now to be satisfied by philosophy are not unchangeable; these themselves can be weakened and eradicated. Think, for instance, of the Christian's distress of soul, his sighing over inward corruption, his anxiety for salvation,—all notions which originate only in errors of reason and deserve not satisfaction but destruction. A philosophy can serve either to satisfy those needs or to set them aside; for they are acquired, temporally limited needs, which are based upon suppositions contradictory to those of science. Here, in order to make a transition, art is far rather to be employed to relieve the mind overburdened with emotions; for those notions receive much less support from it than from a metaphysical philosophy. It is easier, then, to pass over from art to a really liberating philosophical science.
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14c. 1872 AD
The Belief in Inspiration.—It is to the interest of the artist that there should be a belief in sudden suggestions, so-called inspirations; as if the idea of a work of art, of poetry, the fundamental thought of a philosophy shone down from heaven like a ray of grace. In reality the imagination of the good artist or thinker constantly produces good, mediocre, and bad, but his judgment, most clear and practised, rejects and chooses and joins together, just as we now learn from Beethoven's notebooks that he gradually composed the most beautiful melodies, and in a manner selected them, from many different attempts. He who makes less severe distinctions, and willingly abandons himself to imitative memories, may under certain circumstances become a great improvisatore; but artistic improvisation ranks low in comparison with serious and laboriously chosen artistic thoughts. All great men were great workers, unwearied not only in invention but also in rejection, reviewing, transforming, and arranging.
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15c. 1872 AD
The Consoling Speech of a Desperate Advance.—Our age gives the impression of an intermediate condition; the old ways of regarding the world, the old cultures still partially exist, the new are not yet sure and customary and hence are without decision and consistency. It appears as if everything would become chaotic, as if the old were being lost, the new worthless and ever becoming weaker. But this is what the soldier feels who is learning to march; for a time he is more uncertain and awkward, because his muscles are moved sometimes according to the old system and sometimes according to the new, and neither gains a' decisive victory. We waver, but it is necessary not to lose courage and give up what we have newly gained. Moreover, we cannot go back to the old, we have burnt our boats; there remains nothing but to be brave whatever happen.—March ahead, only get forward! Perhaps our behaviour looks like progress; but if not, then the words of Frederick the Great may also be applied to us, and indeed as a consolation: "Ah, mon cher Sulzer, vous ne connaissez pas assez cette race maudite, à laquelle nous appartenons."
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16c. 1872 AD
LEARNING MANY LANGUAGES.—The learning of many languages fills the memory with words instead of with facts and thoughts, and this is a vessel which, with every person, can only contain a certain limited amount of contents. Therefore the learning of many languages is injurious, inasmuch as it arouses a belief in possessing dexterity and, as a matter of fact, it lends a kind of delusive importance to social intercourse. It is also indirectly injurious in that it opposes the acquirement of solid knowledge and the intention to win the respect of men in an honest way. Finally, it is the axe which is laid to the root of a delicate sense of language in our mother-tongue, which thereby is incurably injured and destroyed. The two nations which produced the greatest stylists, the Greeks and the French, learned no foreign languages. But as human intercourse must always grow more cosmopolitan, and as, for instance, a good merchant in London must now be able to read and write eight languages, the learning of many tongues has certainly become a necessary evil; but which, when finally carried to an extreme, will compel mankind to find a remedy, and in some far-off future there will be a new language, used at first as a language of commerce, then as a language of intellectual intercourse generally, then for all, as surely as some time or other there will be aviation. Why else should philology have studied the laws of languages for a whole century, and have estimated the necessary, the valuable, and the successful portion of each separate language?
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19c. 1872 AD
The Happiness of Marriage.—Everything to which we are accustomed draws an ever-tightening cobweb-net around us; and presently We notice that the threads have become cords, and that we ourselves sit in the middle like a spider that has here got itself caught and must feed on its own blood. Hence the free spirit hates all rules and customs, all that is permanent and definitive, hence he painfully tears asunder again and again the net around him, though in consequence thereof he will suffer from numerous wounds, slight and severe; for he must break off every thread from himself, from his body and soul. He must learn to love where he has hitherto hated, and vice versa. Indeed, it must not be a thing impossible for him to sow dragon's teeth in the same field in which he formerly scattered the abundance of his bounty. From this it can be inferred whether he is suited for the happiness of marriage.
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23c. 1872 AD
Continued Existence of Art.—Why, really, does a creative art nowadays continue to exist? Because the majority who have hours of leisure (and such an art is for them only) think that they cannot fill up their time without music, theatres and picture-galleries, novels and poetry. Granted that one could keep them from this indulgence, either they would strive less eagerly for leisure, and the invidious sight of the rich would be less common (a great gain for the stability of society), or they would have leisure, but would learn to reflect on what can be learnt and unlearnt: on their work, for instance, their associations, the pleasure they could bestow. All the world, with the exception of the artist, would in both cases reap the advantage.—Certainly, there are many vigorous, sensible readers who could take objection to this. Still, it must be said on behalf of the coarse and malignant that the author himself is concerned with this protest, and that there is in his book much to be read that is not actually written down therein.
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24c. 1872 AD
Not To Be a Soldier of Culture Without Necessity.—At last people are learning what it costs us so dear not to know in our youth—that we must first do superior actions and secondly seek the superior wherever and under whatever names it is to be found; that we must at once go out of the way of all badness and mediocrity without fighting it; and that even doubt as to the excellence of a thing (such as quickly arises in one of practised taste) should rank as an argument against it and a reason for completely avoiding it. We must not shrink from the danger of occasionally making a mistake and confounding the less accessible good with the bad and imperfect. Only he who can do nothing better should attack the world's evils as the soldier of culture. But those who should support culture and spread its teachings ruin themselves if they go about armed, and by precautions, night-watches, and bad dreams turn the peace of their domestic and artistic life into sinister unrest.
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