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The collection / 219 fragments

Happiness.

Explore passages mentioning happiness, happy. Topic suggestions use transparent word matching, not scholarly classification. Editorial meanings and lexical matches are discovery aids, not independent authentication of a quotation.

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01c. 1872 AD
The Jealousy of the Lonely Ones.—This is the difference between sociable and solitary natures, provided that both possess an intellect: the former are satisfied, or nearly satisfied, with almost anything whatever; from the moment that their minds have discovered a communicable and happy version of it they will be reconciled even with the devil himself! But the lonely souls have their silent rapture, and their speechless agony about a thing: they hate the ingenious and brilliant display of their inmost problems as much as they dislike to see the women they love too loudly dressed—they watch her mournfully in such a case, as if they were just beginning to suspect that she was desirous of pleasing others. This is the jealousy which all lonely thinkers and passionate dreamers exhibit with regard to the esprit.
Friedrich Nietzsche / quote
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02c. 1872 AD
But we do not Believe you.—You would fain pass for psychologists, but we shall not allow it! Are we not to notice that you pretend to be more experienced, profound, passionate, and perfect than you actually are?—just as we notice in yonder painter that there is a trifling presumptuousness in his manner of wielding the brush, and in yonder musician that he brings forward his theme with the desire to make it appear superior to what it really is. Have you experienced history within yourselves, commotions, earthquakes, long and profound sadness, and sudden flashes of happiness? Have you acted foolishly with great and little fools? Have you really undergone the delusions and woe of the good people? and also the woe and the peculiar happiness of the most evil? Then you may speak to me of morality, but not otherwise!
Friedrich Nietzsche / quote
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03c. 1872 AD
Letting our Happiness also Shine.—In the same way as painters are unable to reproduce the deep brilliant hue of the natural sky, and are compelled to use all the colours they require for their landscapes a few shades deeper than nature has made them—just as they, by means of this trick, succeed in approaching the brilliancy and harmony of nature's own hues, so also must poets and philosophers, for whom the luminous rays of happiness are inaccessible, endeavour to find an expedient. By picturing all things a shade or two darker than they really are, their light, in which they excel, will produce almost exactly the same effect as the sunlight, and will resemble the light of true happiness.—The pessimist, on the other hand, who paints all things in the blackest and most sombre hues, only makes use of bright flames, lightning, celestial glories, and everything that possesses a glaring, dazzling power, and bewilders our eyes: to him light only serves the purpose of increasing the horror, and of making us look upon things as being more dreadful than they really are.
Friedrich Nietzsche / quote
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04c. 1872 AD
Dignity and Ignorance.—Wherever we understand we become amiable, happy, and ingenious; and when we have learnt enough, and have trained our eyes and ears, our souls show greater plasticity and charm. We understand so little, however, and are so insufficiently informed, that it rarely happens that we seize upon a thing and make ourselves lovable at the same time,—on the contrary we pass through cities, nature, and history with stiffness and indifference, at the same time taking a pride in our stiff and indifferent attitude, as if it were simply due to superiority. Thus our ignorance and our mediocre desire for knowledge understand quite well how to assume a mask of dignity and character.
Friedrich Nietzsche / quote
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05c. 1872 AD
Owing to three Errors.—Science has been furthered during recent centuries, partly because it was hoped that God's goodness and wisdom would be best understood therewith and thereby—the principal motive in the soul of great Englishmen (like Newton); partly because the absolute utility of knowledge was believed in, and especially the most intimate connection of morality, knowledge, and happiness—the principal motive in the soul of great Frenchmen (like Voltaire); and partly because it was thought that in science there was something unselfish, harmless, self-sufficing, lovable, and truly innocent to be had, in which the evil human impulses did not at all participate—the principal motive in the soul of Spinoza, who felt himself divine, as a knowing being:—it is consequently owing to three errors that science has been furthered.
Friedrich Nietzsche / quote
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06c. 1872 AD
The Believed Motive.—However important it may be to know the motives according to which mankind has really acted hitherto, perhaps the belief in this or that motive, and therefore that which mankind has assumed and imagined to be the actual mainspring of its activity hitherto, is something still more essential for the thinker to know. For the internal happiness and misery of men have always come to them through their belief in this or that motive,—not however, through that which was actually the motive! All about the latter has an interest of secondary rank.
Friedrich Nietzsche / quote
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07c. 1872 AD
Epicurus.—Yes, I am proud of perceiving the character of Epicurus differently from anyone else perhaps, and of enjoying the happiness of the afternoon of antiquity in all that I hear and read of him:—I see his eye gazing out on a broad whitish sea, over the shore-rocks on which the sunshine rests, while great and small creatures play in its light, secure and calm like this light and that eye itself. Such happiness could only have been devised by a chronic sufferer, the happiness of an eye before which the sea of existence has become calm, and which can no longer tire of gazing at the surface and at the variegated, tender, tremulous skin of this sea. Never previously was there such a moderation of voluptuousness.
Friedrich Nietzsche / quote
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09c. 1872 AD
The Charm of Imperfection.—I see here a poet, who, like so many men, exercises a higher charm by his imperfections than by all that is rounded off and takes perfect shape under his hands,—indeed, he derives his advantage and reputation far more from his actual limitations than from his abundant powers. His work never expresses altogether what he would really like to express, what he would like to have seen: he appears to have had the foretaste of a vision and never the vision itself:—but an extraordinary longing for this vision has remained in his soul; and from this he derives his equally extraordinary eloquence of longing and craving. With this he raises those who listen to him above his work and above all "works," and gives them wings to rise higher than hearers have ever risen before, thus making them poets and seers themselves; they then show an admiration for the originator of their happiness, as if he had led them immediately to the vision of his holiest and ultimate verities, as if he had reached his goal, and had actually seen and communicated his vision. It is to the advantage of his reputation that he has not really arrived at his goal.
Friedrich Nietzsche / quote
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10c. 1872 AD
The Good and the Beautiful.—Artists, glorify continually—they do nothing else,—and indeed they glorify all those conditions and things that have a reputation, so that man may feel himself good or great, or intoxicated, or merry, or pleased and wise by it. Those select things and conditions whose value for human happiness is regarded as secure and determined, are the objects of artists: they are ever lying in wait to discover such things, to transfer them into the domain of art. I mean to say that they are not themselves the valuers of happiness and of the happy ones, but they always press close to these valuers with the greatest curiosity and longing, in order immediately to use their valuations advantageously. As besides their impatience, they have also the big lungs of heralds and the feet of runners, they are generally always among the first to glorify the new excellency, and often seem to be the first who have called it good and valued it as good. This, however, as we have said, is an error; they are only faster and louder than the actual valuers:—And who then are these?—They are the rich and the leisurely.
Friedrich Nietzsche / quote
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11c. 1872 AD
Now and Formerly.—Of what consequence is all our art in artistic products, if that higher art, the art of the festival, be lost by us? Formerly all artistic products were exhibited on the great festive-path of humanity, as tokens of remembrance, and monuments of high and happy moments. One now seeks to allure the exhausted and sickly from the great suffering-path of humanity for a wanton moment by means of works of art; one furnishes them with a little ecstasy and insanity.
Friedrich Nietzsche / quote
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18c. 1872 AD
Misunderstood Sufferers.—Great natures suffer otherwise than their worshippers imagine; they suffer most severely from the ignoble, petty emotions of certain evil moments; in short, from doubt of their own greatness;—not however from the sacrifices and martyrdoms which their tasks require of them. As long as Prometheus sympathises with men and sacrifices himself for them, he is happy and proud in himself; but on becoming envious of Zeus and of the homage which mortals pay him—then Prometheus suffers!
Friedrich Nietzsche / quote
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