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Faith.

Explore passages mentioning faith, god, prayer. Topic suggestions use transparent word matching, not scholarly classification. Editorial meanings and lexical matches are discovery aids, not independent authentication of a quotation.

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07c. 1872 AD
No Internal and External in the World.—As Democritus transferred the concepts "above" and "below" to endless space where they have no sense, so philosophers in general have transferred the concepts "Internal" and "External" to the essence and appearance of the world; they think that with deep feelings one can penetrate deeply into the internal and approach the heart of Nature. But these feelings are only deep in so far as along with them, barely noticeable, certain complicated groups of thoughts, which we call deep, are regularly excited; a feeling is deep because we think that the accompanying thought is deep. But the "deep" thought can nevertheless be very far from the truth, as, for instance, every metaphysical one; if one take away from the deep feeling the commingled elements of thought, then the strong feeling remains, and this guarantees nothing for knowledge but itself, just as strong faith proves only its strength and not the truth of what is believed in.
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08c. 1872 AD
Sympathy Stronger Than Suffering.—There are cases when sympathy is stronger than actual suffering. For instance, we are more pained when one of our friends is guilty of something shameful than when we do it ourselves. For one thing, we have more faith in the purity of his character than he has himself; then our love for him, probably on account of this very faith, is stronger than his love for himself. And even if his egoism suffers more thereby than our egoism, inasmuch as it has to bear more of the bad consequences of his fault, the un-egoistic in us—this word is not to be taken too seriously, but only as a modification of the expression—is more deeply wounded by his guilt than is the un-egoistic in him.
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09c. 1872 AD
The Nominal Degrees of Truth.—One of the commonest mistakes is this: because some one is truthful and honest towards us, he must speak the truth. Thus the child believes in its parents' judgment, the Christian in the assertions of the Founder of the Church. In the same way men refuse to admit that all those things which men defended in former ages with the sacrifice of life and happiness were nothing but errors; it is even said, perhaps, that they were degrees of the truth. But what is really meant is that when a man has honestly believed in something, and has fought and died for his faith, it would really be too unjust if he had only been inspired by an error. Such a thing seems a contradiction of eternal justice; therefore the heart of sensitive man ever enunciates against his head the axiom: between moral action and intellectual insight there must absolutely be a necessary connection. It is unfortunately otherwise; for there is no eternal justice.
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10c. 1872 AD
Falsehood.—Why do people mostly speak the truth in daily life?—Assuredly not because a god has forbidden falsehood. But, firstly, because it is more convenient, as falsehood requires invention, deceit, and memory. (As Swift says, he who tells a lie is not sensible how great a task he undertakes; for in order to uphold one lie he must invent twenty others.) Therefore, because it is advantageous in upright circumstances to say straight out, "I want this, I have done that," and so on; because, in other words, the path of compulsion and authority is surer than that of cunning. But if a child has been brought up in complicated domestic circumstances, he employs falsehood, naturally and unconsciously says whatever best suits his interests; a sense of truth and a hatred of falsehood are quite foreign and unknown to him, and so he lies in all innocence.
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11c. 1872 AD
The Commonplace Christian.—If Christianity were right, with its theories of an avenging God, of general sinfulness, of redemption, and the danger of eternal damnation, it would be a sign of weak intellect and lack of character not to become a priest, apostle or hermit, and to work only with fear and trembling for one's own salvation; it would be senseless thus to neglect eternal benefits for temporary comfort. Taking it for granted that there is belief, the commonplace Christian is a miserable figure, a man that really cannot add two and two together, and who, moreover, just because of his mental incapacity for responsibility, did not deserve to be so severely punished as Christianity has decreed.
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13c. 1872 AD
The Irreligiousness of Artists.—Homer is so much at home amongst his gods, and is so familiar with them as a poet, that he must have been deeply irreligious; that which the popular faith gave him—a meagre, rude, partly terrible superstition—he treated as freely as the sculptor does his clay, with the same unconcern, therefore, which Æschylus and Aristophanes possessed, and by which in later times the great artists of the Renaissance distinguished themselves, as also did Shakespeare and Goethe.
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14c. 1872 AD
The Ennobling of Reality.—Through the fact that in the aphrodisiac impulse men discerned a godhead and with adoring gratitude felt it working within themselves, this emotion has in the course of time become imbued with higher conceptions, and has thereby been materially ennobled. Thus certain nations, by virtue of this art of idealisation, have created great aids to culture out of diseases,—the Greeks, for instance, who in earlier centuries suffered from great nervous epidemics (like epilepsy and St. Vitus' Dance), and developed out of them the splendid type of the Bacchante. The Greeks, however, enjoyed an astonishingly high degree of health—their secret was, to revere even disease as a god, if it only possessed power.
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15c. 1872 AD
The Beyond in Art.—It is not without deep pain that we acknowledge the fact that in their loftiest soarings, artists of all ages have exalted and divinely transfigured precisely those ideas which we now recognise as false; they are the glorifiers of humanity's religious and philosophical errors, and they could not have been this without belief in the absolute truth of these errors. But if the belief in such truth diminishes at all, if the rainbow colours at the farthest ends of human knowledge and imagination fade, then this kind of art can never re-flourish, for, like the Divina Commedia, Raphael's paintings, Michelangelo's frescoes, and Gothic cathedrals, they indicate not only a cosmic but also a metaphysical meaning in the work of art. Out of all this will grow a touching legend that such an art and such an artistic faith once existed.
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16c. 1872 AD
The Origin of Faith.—The fettered spirit does not take up his position from conviction, but from habit; he is a Christian, for instance, not because he had a comprehension of different creeds and could take his choice; he is an Englishman, not because he decided for England, but he found Christianity and England ready-made and accepted them without any reason, just as one who is born in a wine-country becomes a wine-drinker. Later on, perhaps, as he was a Christian and an Englishman, he discovered a few reasons in favour of his habit; these reasons may be upset, but he is not therefore upset in his whole position. For instance, let a fettered spirit be obliged to bring forward his reasons against bigamy and then it will be seen whether his holy zeal in favour of monogamy is based upon reason or upon custom. The adoption of guiding principles without reasons is called faith.
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17c. 1872 AD
Justice Against the Becoming God.— When the entire history of culture unfolds itself to our gaze, as a confusion of evil and noble, of true and false ideas, and we feel almost seasick at the sight of these tumultuous waves, we then under stand what comfort resides in the conception of a becoming God. This Deity is unveiled ever more and more throughout the changes and fortunes of mankind; it is not all blind mechanism, a senseless and aimless confusion of forces. The deification of the process of being is a metaphysical outlook, seen as from a lighthouse overlooking the sea of history, in which a far-too historical generation of scholars found their comfort. This must not arouse anger, however erroneous the view may be. Only those who, like Schopenhauer, deny development also feel none of the misery of this historical wave, and therefore, because they know nothing of that becoming God and the need of His supposition, they should in justice withhold their scorn.
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18c. 1872 AD
In the Neighbourhood of Insanity.—The sum of sensations, knowledge and experiences, the whole burden of culture, therefore, has become so great that an overstraining of nerves and powers of thought is a common danger, indeed the cultivated classes of European countries are throughout neurotic, and almost every one of their great families is on the verge of insanity in one of their branches. True, health is now sought in every possible way; but in the main a diminution of that tension of feeling, of that oppressive burden of culture, is needful, which, even though it might be bought at a heavy sacrifice, would at least give us room for the great hope of a new Renaissance. To Christianity, to the philosophers, poets, and musicians we owe an abundance of deeply emotional sensations; in order that these may not get beyond our control we must invoke the spirit of science, which on the whole makes us somewhat colder and more sceptical, and in particular cools the faith in final and absolute truths; it is chiefly through Christianity that it has grown so wild.
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19c. 1872 AD
The Bell-founding of Culture.—Culture has been made like a bell, within a covering of coarser, commoner material, falsehood, violence, the boundless extension of every individual "I," of every separate people—this was the covering. Is it time to take it off? Has the liquid set, have the good and useful impulses, the habits of the nobler nature become so certain and so general that they no longer require to lean on metaphysics and the errors of religion, no longer have need of hardnesses and violence as powerful bonds between man and man, people and people? No sign from any God can any longer help us to answer this question; our own insight must decide. The earthly rule of man must be taken in hand by man himself, his "omniscience" must watch over the further fate of culture with a sharp eye.
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20c. 1872 AD
Xantippe.—Socrates found a wife such as he required,—but he would not have sought her had he known her sufficiently well; even the heroism of his free spirit would not have gone so far. As a matter of fact, Xantippe forced him more and more into his peculiar profession, inasmuch as she made house and home doleful and dismal to him; she taught him to live in the streets and wherever gossiping and idling went on, and thereby made him the greatest Athenian street-dialectician, who had, at last, to compare himself to a gad-fly which a god had set on the neck of the beautiful horse Athens to prevent it from resting.
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21c. 1872 AD
The Apparent Weather—Makers of Politics.—Just as people tacitly assume that he who understands the weather, and foretells it about a day in advance, makes the weather, so even the educated and learned, with a display of superstitious faith, ascribe to great statesmen as their most special work all the important changes and conjunctures that have taken place during their administration, when it is only evident that they knew something thereof a little earlier than other people and made their calculations accordingly,—thus they are also looked upon as weather-makers—and this belief is not the least important instrument of their power.
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22c. 1872 AD
Prince and God.—People frequently commune with their princes in the same way as with their God, as indeed the prince himself was frequently the Deity's representative, or at least His high priest. This almost uncanny disposition of veneration, disquiet, and shame, grew, and has grown, much weaker, but occasionally it flares up again, and fastens upon powerful persons generally. The cult of genius is an echo of this veneration of Gods and Princes. Wherever an effort is made to exalt particular men to the superhuman, there is also a tendency to regard whole grades of the population as coarser and baser than they really are.
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24c. 1872 AD
He who has not passed through different phases of conviction, but sticks to the faith in whose net he was first caught, is, under all circumstances, just on account of this unchangeableness, a representative of atavistic culture; in accordance with this lack of culture (which always presupposes plasticity for culture), he is severe, unintelligent, unteachable, without liberality, an ever suspicious person, an unscrupulous person who has recourse to all expedients for enforcing his opinions because he cannot conceive that there must be other opinions; he is, in such respects, perhaps a source of strength, and even wholesome in cultures that have become too emancipated and languid, but only because he strongly incites to opposition: for thereby the delicate organisation of the new culture, which is forced to struggle with him, becomes strong itself.
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