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Death.

Explore passages mentioning death, die, grave. Topic suggestions use transparent word matching, not scholarly classification. Editorial meanings and lexical matches are discovery aids, not independent authentication of a quotation.

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01c. 1872 AD
Utilising our Hours of Danger.—Those men and conditions whose every movement may mean danger to our possessions, honour, and life or death, and to those most dear to us, we shall naturally learn to know thoroughly. Tiberius, for instance, must have meditated much more deeply on the character and methods of government of the Emperor Augustus, and must have known far more about them than even the wisest historian. At the present day we all live, relatively speaking, in a security which is much too great to make us true psychologists: some survey their fellow-men as a hobby, others out of ennui, and others again merely from habit; but never to the extent they would do if they were told “Discern or perish!” As long as truths do not cut us to the quick we assume an attitude of contempt towards them: they still appear to us too much like the “winged dreams,” as if we could or could not have them at our discretion, as if we could likewise be aroused from these truths as from a dream!
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02c. 1872 AD
Friendship.—The objection to a philosophic life that it renders us useless to our friends would never have arisen in a modern mind: it belongs rather to classical antiquity. Antiquity knew the stronger bonds of friendship, meditated upon it, and almost took it to the grave with it. This is the advantage it has over us: we, on the other hand, can point to our idealisation of sexual love. All the great excellencies of ancient humanity owed their stability to the fact that man was standing side by side with man, and that no woman was allowed to put forward the claim of being the nearest and highest, nay even sole object of his love, as the feeling of passion would teach. Perhaps our trees do not grow so high now owing to the ivy and the vines that cling round them.
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03c. 1872 AD
The Thumbscrew.—It is disgusting to observe with what cruelty every one charges his two or three private virtues to the account of others who may perhaps not possess them, and whom he torments and worries with them. Let us therefore deal humanely with the “sense of honesty,” although we may possess in it a thumbscrew with which we can worry to death all these presumptuous egoists who even yet wish to impose their own beliefs upon the whole world—we have tried this thumbscrew on ourselves!
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05c. 1872 AD
Saintly Cruelty.—A man holding a newly born child in his hands came to a saint. "What should I do with this child," he asked, "it is wretched, deformed, and has not even enough of life to die" "Kill it," cried the saint with a dreadful voice, "kill it, and then hold it in thy arms for three days and three nights to brand it on thy memory:—thus wilt thou never again beget a child when it is not the time for thee to beget."—When the man had heard this he went away disappointed; and many found fault with the saint because he had advised cruelty; for he had advised to kill the child. "But is it not more cruel to let it live?" asked the saint.
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06c. 1872 AD
Growth after Death.—Those few daring words about moral matters which Fontenelle threw into his immortal Dialogues of the Dead, were regarded by his age as paradoxes and amusements of a not unscrupulous wit; even the highest judges of taste and intellect saw nothing more in them,—indeed, Fontenelle himself perhaps saw nothing more. Then something incredible takes place: these thoughts become truths! Science proves them! The game becomes serious! And we read those dialogues with a feeling different from that with which Voltaire and Helvetius read them, and we involuntarily raise their originator into another and much higher class of intellects than they did.—Rightly?' Wrongly?
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08c. 1872 AD
Our Slow Periods.—It is thus that artists feel, and all men of "works," the maternal species of men: they always believe at every chapter of their life—a work always makes a chapter—that they have now reached the goal itself; they would always patiently accept death with the feeling: "we are ripe for it." This is not the expression of exhaustion,—but rather that of a certain autumnal sunniness and mildness, which the work itself, the maturing of the work, always leaves behind in its originator. Then the tempo of life slows down—turns thick and flows with honey—into long pauses, into the belief in the long pause....
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09In print by 1857 AD
Honour blossoms on the grave.

Meaning: Recognition sometimes arrives only after a person has died. The saying invites attention to whether appreciation could be expressed while that person can receive it.

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10In print by 1857 AD
The devil may die without my inheriting his horns.

Meaning: A harmful legacy need not become someone else’s identity or obligation. The speaker rejects inheriting the devil’s horns rather than treating succession as unavoidable.

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