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Without Melody.—There are persons to whom a constant repose in themselves and the harmonious ordering of all their capacities is so natural that every definite activity is repugnant to them. They resemble music which consists of nothing but prolonged, harmonious accords, without even the tendency to an organised and animated melody showing itself. All external movement serves only to restore to the boat its equilibrium on the sea of harmonious euphony. Modern men usually become excessively impatient when they meet such natures, who will never be anything in the world, only it is not allowable to say of them that they are nothing. But in certain moods the sight of them raises the unusual question: "Why should there be melody at all? Why should it not suffice us when life mirrors itself peacefully in a deep lake?" The Middle Ages were richer in such natures than our times. How seldom one now meets with any one who can live on so peacefully and happily with himself even in the midst of the crowd, saying to himself, like Goethe, "The best thing of all is the deep calm in which I live and grow in opposition to the world, and gain what it cannot take away from me with fire and sword."

Without Melody.—There are persons to whom a constant repose in themselves and the harmonious ordering of all their capacities is so natural that every definite activity is repugnant to them. They resemble music which consists of nothing but prolonged, harmonious accords, without even the tendency to an organised and animated melody showing itself. All external movement serves only to restore to the boat its equilibrium on the sea of harmonious euphony. Modern men usually become excessively impatient when they meet such natures, who will never be anything in the world, only it is not allowable to say of them that they are nothing. But in certain moods the sight of them raises the unusual question: "Why should there be melody at all? Why should it not suffice us when life mirrors itself peacefully in a deep lake?" The Middle Ages were richer in such natures than our times. How seldom one now meets with any one who can live on so peacefully and happily with himself even in the midst of the crowd, saying to himself, like Goethe, "The best thing of all is the deep calm in which I live and grow in opposition to the world, and gain what it cannot take away from me with fire and sword."

Approximate author period: c. 1872 AD · industrial

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Attribution & collection notes
Author or tradition
Friedrich Nietzsche
Attribution: attributed
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Historical period
Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
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Recorded source
Human, All-Too-Human, Part 1 (1909 English edition) (1909 AD)

Part1, complete printed aphorism 626; Helen Zimmern translation; Edinburgh and London: T.N. Foulis,1909

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The voice behind the words.

Friedrich Nietzsche: Photographic portrait, 1882

Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.

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