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Why Savants are Nobler than Artists.—Science requires nobler natures than does poetry; natures that are more simple, less ambitious, more restrained, calmer, that think less of posthumous fame and can bury themselves in studies which, in the eye of the many, scarcely seem worthy of such a sacrifice of personality. There is another loss of which they are conscious. The nature of their occupation, its continual exaction of the greatest sobriety, weakens their will; the fire is not kept up so vigorously as on the hearths of poetic minds. As such, they often lose their strength and prime earlier than artists do—and, as has been said, they are aware of their danger. Under all circumstances they seem less gifted because they shine less, and thus they will always be rated below their value.

Why Savants are Nobler than Artists.—Science requires nobler natures than does poetry; natures that are more simple, less ambitious, more restrained, calmer, that think less of posthumous fame and can bury themselves in studies which, in the eye of the many, scarcely seem worthy of such a sacrifice of personality. There is another loss of which they are conscious. The nature of their occupation, its continual exaction of the greatest sobriety, weakens their will; the fire is not kept up so vigorously as on the hearths of poetic minds. As such, they often lose their strength and prime earlier than artists do—and, as has been said, they are aware of their danger. Under all circumstances they seem less gifted because they shine less, and thus they will always be rated below their value.

Approximate author period: c. 1872 AD · industrial

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Attribution & collection notes
Author or tradition
Friedrich Nietzsche
Attribution: attributed
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Historical period
Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
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Recorded source
Human, All-Too-Human, Part 2 (1913 English edition) (1913 AD)

Miscellaneous Maxims and Opinions, complete printed aphorism 206; Paul V. Cohn translation; New York: The MacMillan Company,1913

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The voice behind the words.

Friedrich Nietzsche: Photographic portrait, 1882

Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.

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