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This goodly frame, the earth, seems to me a sterile promontory; this most excellent canopy, the air, look you, this brave o'er-hanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapors. What a piece of work is a man! how noble in reason! how infinite in faculty! in form and moving how express and admirable! in action how like an angel! in apprehension how like a god!

This goodly frame, the earth, seems to me a sterile promontory; this most excellent canopy, the air, look you, this brave o'er-hanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapors. What a piece of work is a man! how noble in reason! how infinite in faculty! in form and moving how express and admirable! in action how like an angel! in apprehension how like a god!

Approximate author period: c. 1590 AD · renaissance

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Attribution & collection notes
Author or tradition
William Shakespeare
Attribution: attributed
Country attributed
Not established
A country attribution does not establish the earliest origin.
Historical period
Approximate author period: c. 1590 AD · renaissance
author lifetime midpoint (1564–1616)
An author lifetime, approximate period or collection date is not necessarily the date when these words were first written or spoken.
Recorded source
The Optimist’s Good Morning (1911) (1911 AD)

Complete signed selection 38; printed byline: Shakespeare; Boston: Little, Brown, and Company, 1911; printed copyright 1907

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The voice behind the words.

William Shakespeare: Historical painted portrait

Listed in the author section of Bartlett’s ninth-edition anthology, in the linked 1905 printing. Dates reflect that historical edition and may differ from modern scholarship.

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