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(...) there are these fading, ageing girls who constantly let themselves go over the edge without resisting, strong girls, still unused in their innermost selves, who have never been loved. Perhaps, Lord, you mean me to leave everything and go love them. Otherwise why is it so difficult for me not to follow them when they pass me in the street? Why do I suddenly invent the sweetest, most nocturnal words, and why does my voice settle sweetly inside me between my throat and heart? Why do I imagine how I, with unutterable caution, would hold them to my breath, these dolls that life has been playing with, flinging their arms apart springtime after springtime for nothing, and again for nothing, until they became slack in the shoulders. They've never fallen from a very high hope, so they're not broken; but they're badly chipped already and too far gone. Only stray cats come to them in the evening in their rooms and keep giving them furtive scratches and then sleep on top of them. Sometimes I follow one of them down a couple of streets. They walk past the houses, people are continually coming along who blot them out, they go on fading until they are nothing.

(...) there are these fading, ageing girls who constantly let themselves go over the edge without resisting, strong girls, still unused in their innermost selves, who have never been loved. Perhaps, Lord, you mean me to leave everything and go love them. Otherwise why is it so difficult for me not to follow them when they pass me in the street? Why do I suddenly invent the sweetest, most nocturnal words, and why does my voice settle sweetly inside me between my throat and heart? Why do I imagine how I, with unutterable caution, would hold them to my breath, these dolls that life has been playing with, flinging their arms apart springtime after springtime for nothing, and again for nothing, until they became slack in the shoulders. They've never fallen from a very high hope, so they're not broken; but they're badly chipped already and too far gone. Only stray cats come to them in the evening in their rooms and keep giving them furtive scratches and then sleep on top of them. Sometimes I follow one of them down a couple of streets. They walk past the houses, people are continually coming along who blot them out, they go on fading until they are nothing.

Approximate author period: c. 1900 AD · modern

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Attribution & collection notes
Author or tradition
Rainer Maria Rilke
Attribution: attributed
Country attributed
Not established
A country attribution does not establish the earliest origin.
Historical period
Approximate author period: c. 1900 AD · modern
Approximate author-period anchor from life dates 1875 to 1926; Wikidata Q76483, https://www.wikidata.org/wiki/Q76483 (accessed 2026-10-08). Not a quotation composition date.
An author lifetime, approximate period or collection date is not necessarily the date when these words were first written or spoken.
Recorded source
Contributor-provided quotation collection

Supplied reference C; CSV row 385278; supplied attribution, independently unverified

A collection's publication date can be later than the words it records.