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The writer, indeed every real artist, was the devil, rivalling God in creativity, trying even to surpass him. God was surely man’s most fatal creation, the devil’s kitsch bitch. It was God, with his insistence on being worshipped and admired, who made the argument of art necessary, keeping the fire of dissent alive in men and women. This dissident was the artist, who spanned with his imagination reason and unreason, the under and the over, the dream and the world, men and women.

The writer, indeed every real artist, was the devil, rivalling God in creativity, trying even to surpass him. God was surely man’s most fatal creation, the devil’s kitsch bitch. It was God, with his insistence on being worshipped and admired, who made the argument of art necessary, keeping the fire of dissent alive in men and women. This dissident was the artist, who spanned with his imagination reason and unreason, the under and the over, the dream and the world, men and women.

Approximate author period: c. 1976 AD · modern

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Attribution & collection notes
Author or tradition
Hanif Kureishi
Attribution: attributed
Country attributed
Not established
A country attribution does not establish the earliest origin.
Historical period
Approximate author period: c. 1976 AD · modern
Approximate author-period evidence for Hanif Kureishi: documented activity in 1976. Wikidata Q325936, inspected 2026-10-08. Not a quotation composition date or independent verification of attribution. Source: https://www.wikidata.org/wiki/Q325936 (accessed 2026-10-08).
An author lifetime, approximate period or collection date is not necessarily the date when these words were first written or spoken.
Recorded source
Contributor-provided quotation collection

Supplied reference C; CSV row 281550; supplied attribution, independently unverified

A collection's publication date can be later than the words it records.