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The Tone of Voice of Different Ages.—The tone in which youths speak, praise, blame, and versify, displeases an older person because it is too loud, and yet at the same time dull and confused like a sound in a vault, which acquires such a loud ring owing to the emptiness; for most of the thought of youths does not gush forth out of the fulness of their own nature, but is the accord and the echo of what has been thought, said, praised or blamed around them. As their sentiments, however (their inclinations and aversions), resound much more forcibly than the reasons thereof, there is heard, whenever they divulge these sentiments, the dull, clanging tone which is a sign of the absence or scarcity of reasons. The tone of riper age is rigorous, abruptly concise, moderately loud, but, like everything distinctly articulated, is heard very far off. Old age, finally, often brings a certain mildness and consideration into the tone of the voice, and as it were, sweetens it; in many cases, to be sure it also sours it.

The Tone of Voice of Different Ages.—The tone in which youths speak, praise, blame, and versify, displeases an older person because it is too loud, and yet at the same time dull and confused like a sound in a vault, which acquires such a loud ring owing to the emptiness; for most of the thought of youths does not gush forth out of the fulness of their own nature, but is the accord and the echo of what has been thought, said, praised or blamed around them. As their sentiments, however (their inclinations and aversions), resound much more forcibly than the reasons thereof, there is heard, whenever they divulge these sentiments, the dull, clanging tone which is a sign of the absence or scarcity of reasons. The tone of riper age is rigorous, abruptly concise, moderately loud, but, like everything distinctly articulated, is heard very far off. Old age, finally, often brings a certain mildness and consideration into the tone of the voice, and as it were, sweetens it; in many cases, to be sure it also sours it.

Approximate author period: c. 1872 AD · industrial

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Attribution & collection notes
Author or tradition
Friedrich Nietzsche
Attribution: attributed
Country attributed
Not established
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Historical period
Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
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Recorded source
Human, All-Too-Human, Part 1 (1909 English edition) (1909 AD)

Part1, complete printed aphorism 613; Helen Zimmern translation; Edinburgh and London: T.N. Foulis,1909

A collection's publication date can be later than the words it records.

The voice behind the words.

Friedrich Nietzsche: Photographic portrait, 1882

Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.

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