Try an author, a thought, or a phrase in “quotes”.↑ ↓ Navigate · Esc Close

Type a word, saying or author to search.

Browse the library ↗

The Simile of the Dance.—It must now be regarded as a decisive sign of great culture if some one possesses sufficient strength and flexibility to be as pure and strict in discernment as, in other moments, to be capable of giving poetry, religion, and metaphysics a hundred paces' start and then feeling their force and beauty. Such a position amid two such different demands is very difficult, for science urges the absolute supremacy of its methods, and if this insistence is not yielded to, there arises the other danger of a weak wavering between different impulses. Meanwhile, to cast a glance, in simile at least, on a solution of this difficulty, it may be remembered that dancing is not the same as a dull reeling to and fro between different impulses. High culture will resemble a bold dance,—wherefore, as has been said, there is need of much strength and suppleness.

The Simile of the Dance.—It must now be regarded as a decisive sign of great culture if some one possesses sufficient strength and flexibility to be as pure and strict in discernment as, in other moments, to be capable of giving poetry, religion, and metaphysics a hundred paces' start and then feeling their force and beauty. Such a position amid two such different demands is very difficult, for science urges the absolute supremacy of its methods, and if this insistence is not yielded to, there arises the other danger of a weak wavering between different impulses. Meanwhile, to cast a glance, in simile at least, on a solution of this difficulty, it may be remembered that dancing is not the same as a dull reeling to and fro between different impulses. High culture will resemble a bold dance,—wherefore, as has been said, there is need of much strength and suppleness.

Approximate author period: c. 1872 AD · industrial

Meaning not yet available

An individual explanation has not yet been added. We do not substitute a generic description for an interpretation of these particular words.

Begin with source-checked readings and explanations ↗
▷ Play from here
Attribution & collection notes
Author or tradition
Friedrich Nietzsche
Attribution: attributed
Country attributed
Not established
A country attribution does not establish the earliest origin.
Historical period
Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
An author lifetime, approximate period or collection date is not necessarily the date when these words were first written or spoken.
Recorded source
Human, All-Too-Human, Part 1 (1909 English edition) (1909 AD)

Part1, complete printed aphorism 278; Helen Zimmern translation; Edinburgh and London: T.N. Foulis,1909

A collection's publication date can be later than the words it records.

The voice behind the words.

Friedrich Nietzsche: Photographic portrait, 1882

Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.

More from Friedrich Nietzsche ↗