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The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can’t anymore. I don’t know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.

The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can’t anymore. I don’t know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.

Approximate author period: c. 1971 AD · modern

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Attribution & collection notes
Author or tradition
Gillian Flynn
Attribution: attributed
Country attributed
Not established
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Historical period
Approximate author period: c. 1971 AD · modern
Approximate author-period anchor from documented birth year 1971; activity date not established; Wikidata Q311755, https://www.wikidata.org/wiki/Q311755 (accessed 2026-10-08). Not a quotation composition date.
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Supplied reference C; CSV row 154441; supplied attribution, independently unverified

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