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The Moral Character-Masks.—In ages when the character-masks of different classes are definitely fixed, like the classes themselves, moralists will be seduced into holding the moral character-masks, too, as absolute, and in delineating them accordingly. Thus Molière is intelligible as the contemporary of the society of Louis XIV.: in our society of transitions and intermediate stages he would seem an inspired pedant.
The Moral Character-Masks.—In ages when the character-masks of different classes are definitely fixed, like the classes themselves, moralists will be seduced into holding the moral character-masks, too, as absolute, and in delineating them accordingly. Thus Molière is intelligible as the contemporary of the society of Louis XIV.: in our society of transitions and intermediate stages he would seem an inspired pedant.
Approximate author period: c. 1872 AD · industrial
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- Author or tradition
- Friedrich Nietzsche
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- Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
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- Human, All-Too-Human, Part 2 (1913 English edition) (1913 AD)
The Wanderer and His Shadow, complete printed aphorism 63; Paul V. Cohn translation; New York: The MacMillan Company,1913
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Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.
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