quote · Legacy record
The Kingdom of Beauty is Greater.—We move about in nature, cunning and cheerful, in order that we may surprise everything in the beauty peculiar to it; we make an effort, whether in sunshine or under a stormy sky, to see a distant part of the coast with its rocks, bays, and olive and pine trees under an aspect in which it achieves its perfection and consummation. Thus also we should walk about among men as their discoverers and explorers, meting out to them good and evil in order that we may unveil the peculiar beauty which is seen with some in the sunshine, in others under thunder-clouds, or with others again only in twilight and under a rainy sky. Are we then forbidden to enjoy the evil man like some savage landscape which possesses its own bold and daring lines and luminous effects, while this same man, so long as he behaves well, and in conformity with the law, appears to us to be an error of drawing, and a mere caricature which offends us like a defect in nature?—Yes, this is forbidden: for as yet we have only been permitted to seek beauty in anything that is morally good,—and this is sufficient to explain why we have found so little and have been compelled to look for beauty without either flesh or bones!—in the same way as evil men are familiar with innumerable kinds of happiness which the virtuous never dream of, we may also find among them innumerable types of beauty, many of them as yet undiscovered.
The Kingdom of Beauty is Greater.—We move about in nature, cunning and cheerful, in order that we may surprise everything in the beauty peculiar to it; we make an effort, whether in sunshine or under a stormy sky, to see a distant part of the coast with its rocks, bays, and olive and pine trees under an aspect in which it achieves its perfection and consummation. Thus also we should walk about among men as their discoverers and explorers, meting out to them good and evil in order that we may unveil the peculiar beauty which is seen with some in the sunshine, in others under thunder-clouds, or with others again only in twilight and under a rainy sky. Are we then forbidden to enjoy the evil man like some savage landscape which possesses its own bold and daring lines and luminous effects, while this same man, so long as he behaves well, and in conformity with the law, appears to us to be an error of drawing, and a mere caricature which offends us like a defect in nature?—Yes, this is forbidden: for as yet we have only been permitted to seek beauty in anything that is morally good,—and this is sufficient to explain why we have found so little and have been compelled to look for beauty without either flesh or bones!—in the same way as evil men are familiar with innumerable kinds of happiness which the virtuous never dream of, we may also find among them innumerable types of beauty, many of them as yet undiscovered.
Approximate author period: c. 1872 AD · industrial
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Begin with source-checked readings and explanations ↗Attribution & collection notes
- Author or tradition
- Friedrich Nietzsche
Attribution: attributed - Country attributed
- Not established
A country attribution does not establish the earliest origin. - Historical period
- Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
An author lifetime, approximate period or collection date is not necessarily the date when these words were first written or spoken. - Recorded source
- The Dawn of Day (1911 English edition) (1911 AD)
The Dawn of Day, complete printed unit 468; John McFarland Kennedy translation; New York: The MacMillan Company,1911
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