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The Juggler and his Counterpart.—That which is wonderful in science is contrary to that which is wonderful in the art of the juggler. For the latter would wish to make us believe that we see a very simple causality, where, in reality, an exceedingly complex causality is in operation. Science, on the other hand, forces us to give up our belief in the simple causality exactly where everything looks so easily comprehensible and we are merely the victims of appearances. The simplest things are very “complicated”—we can never be sufficiently astonished at them!

The Juggler and his Counterpart.—That which is wonderful in science is contrary to that which is wonderful in the art of the juggler. For the latter would wish to make us believe that we see a very simple causality, where, in reality, an exceedingly complex causality is in operation. Science, on the other hand, forces us to give up our belief in the simple causality exactly where everything looks so easily comprehensible and we are merely the victims of appearances. The simplest things are very “complicated”—we can never be sufficiently astonished at them!

Approximate author period: c. 1872 AD · industrial

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Attribution & collection notes
Author or tradition
Friedrich Nietzsche
Attribution: attributed
Country attributed
Not established
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Historical period
Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
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Recorded source
The Dawn of Day (1911 English edition) (1911 AD)

The Dawn of Day, complete printed unit 6; John McFarland Kennedy translation; New York: The MacMillan Company,1911

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The voice behind the words.

Friedrich Nietzsche: Photographic portrait, 1882

Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.

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