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The Impatient.—It is just the growing man who does not want things in the growing stage. He is too impatient for that. The youth will not wait until, after long study, suffering, and privation, his picture of men and things is complete. Accordingly, he confidently accepts another picture that lies ready to his hand and is recommended to him, and pins his faith to that, as if it must give him at once the lines and colours of his own painting. He presses a philosopher or a poet to his bosom, and must from that time forth perform long stretches of forced labour and renounce his own self. He learns much in the process, but he often forgets what is most worth learning and knowing—his self. He remains all his life a partisan. Ah, a vast amount of tedious work has to be done before you find your own colours, your own brush, your own canvas!—Even then you are very far from being a master in the art of life, but at least you are the boss in your own workshop.

The Impatient.—It is just the growing man who does not want things in the growing stage. He is too impatient for that. The youth will not wait until, after long study, suffering, and privation, his picture of men and things is complete. Accordingly, he confidently accepts another picture that lies ready to his hand and is recommended to him, and pins his faith to that, as if it must give him at once the lines and colours of his own painting. He presses a philosopher or a poet to his bosom, and must from that time forth perform long stretches of forced labour and renounce his own self. He learns much in the process, but he often forgets what is most worth learning and knowing—his self. He remains all his life a partisan. Ah, a vast amount of tedious work has to be done before you find your own colours, your own brush, your own canvas!—Even then you are very far from being a master in the art of life, but at least you are the boss in your own workshop.

Approximate author period: c. 1872 AD · industrial

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Attribution & collection notes
Author or tradition
Friedrich Nietzsche
Attribution: attributed
Country attributed
Not established
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Historical period
Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
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Recorded source
Human, All-Too-Human, Part 2 (1913 English edition) (1913 AD)

The Wanderer and His Shadow, complete printed aphorism 266; Paul V. Cohn translation; New York: The MacMillan Company,1913

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The voice behind the words.

Friedrich Nietzsche: Photographic portrait, 1882

Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.

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