quote · Source-linked selection
The Exciting Element in the History of Art.—We fall into a state of terrible tension when we follow the history of an art—as, for example, that of Greek oratory—and, passing from master to master, observe their increasing precautions to obey the old and the new laws and all these self-imposed limitations. We see that the bow must snap, and that the so-called “loose” composition, with the wonderful means of expression smothered and concealed (in this particular case the florid style of Asianism), was once necessary and almost beneficial.
The Exciting Element in the History of Art.—We fall into a state of terrible tension when we follow the history of an art—as, for example, that of Greek oratory—and, passing from master to master, observe their increasing precautions to obey the old and the new laws and all these self-imposed limitations. We see that the bow must snap, and that the so-called “loose” composition, with the wonderful means of expression smothered and concealed (in this particular case the florid style of Asianism), was once necessary and almost beneficial.
Approximate author period: c. 1872 AD · industrial
Meaning not yet available
An individual explanation has not yet been added. We do not substitute a generic description for an interpretation of these particular words.
Begin with source-checked readings and explanations ↗Attribution & collection notes
- Author or tradition
- Friedrich Nietzsche
Attribution: attributed - Country attributed
- Not established
A country attribution does not establish the earliest origin. - Historical period
- Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
An author lifetime, approximate period or collection date is not necessarily the date when these words were first written or spoken. - Recorded source
- Human, All-Too-Human, Part 2 (1913 English edition) (1913 AD)
Miscellaneous Maxims and Opinions, complete printed aphorism 131; Paul V. Cohn translation; New York: The MacMillan Company,1913
A collection's publication date can be later than the words it records.
The voice behind the words.
Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.
More from Friedrich Nietzsche ↗