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The Donor's Modesty.—There is such a want of generosity in always posing as the donor and benefactor, and showing one's face when doing so! But to give and bestow, and at the same time to conceal one's name and favour! or not to have a name at all, like nature, in whom this fact is more refreshing to us than anything else—here at last we no more meet with the giver and bestower, no more with a “gracious countenance.”—It is true that you have now forfeited even this comfort, for you have placed a God in this nature—and now everything is once again fettered and oppressed! Well? are we never to have the right of remaining alone with ourselves? are we always to be watched, guarded, surrounded by leading strings and gifts? If there is always some one round about us, the best part of courage and kindness will ever remain impossible of attainment in this world. Are we not tempted to fly to hell before this continual obtrusiveness of heaven, this inevitable supernatural neighbour? Never mind, it was only a dream; let us wake up!

The Donor's Modesty.—There is such a want of generosity in always posing as the donor and benefactor, and showing one's face when doing so! But to give and bestow, and at the same time to conceal one's name and favour! or not to have a name at all, like nature, in whom this fact is more refreshing to us than anything else—here at last we no more meet with the giver and bestower, no more with a “gracious countenance.”—It is true that you have now forfeited even this comfort, for you have placed a God in this nature—and now everything is once again fettered and oppressed! Well? are we never to have the right of remaining alone with ourselves? are we always to be watched, guarded, surrounded by leading strings and gifts? If there is always some one round about us, the best part of courage and kindness will ever remain impossible of attainment in this world. Are we not tempted to fly to hell before this continual obtrusiveness of heaven, this inevitable supernatural neighbour? Never mind, it was only a dream; let us wake up!

Approximate author period: c. 1872 AD · industrial

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Attribution & collection notes
Author or tradition
Friedrich Nietzsche
Attribution: attributed
Country attributed
Not established
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Historical period
Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
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Recorded source
The Dawn of Day (1911 English edition) (1911 AD)

The Dawn of Day, complete printed unit 464; John McFarland Kennedy translation; New York: The MacMillan Company,1911

A collection's publication date can be later than the words it records.

The voice behind the words.

Friedrich Nietzsche: Photographic portrait, 1882

Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.

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