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The conflict of the old, the existing, the continuing, with development, improvement, and reform, is always the same. Order of every kind turns at last to pedantry, and to get rid of the one, people destroy the other; and so it goes on for a while, until people perceive that order must be established anew. Classicism and Romanticism; close corporations and freedom of trade; the maintenance of large estates and the division of the land,—it is always the same conflict which ends by producing a new one. The best policy of those in power would be so to moderate this conflict as to let it right itself without the destruction of either element. But this has not been granted to men, and it seems not to be the will of God.

The conflict of the old, the existing, the continuing, with development, improvement, and reform, is always the same. Order of every kind turns at last to pedantry, and to get rid of the one, people destroy the other; and so it goes on for a while, until people perceive that order must be established anew. Classicism and Romanticism; close corporations and freedom of trade; the maintenance of large estates and the division of the land,—it is always the same conflict which ends by producing a new one. The best policy of those in power would be so to moderate this conflict as to let it right itself without the destruction of either element. But this has not been granted to men, and it seems not to be the will of God.

Approximate author period: c. 1790 AD · early modern

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Attribution & collection notes
Author or tradition
Goethe
Attribution: attributed
Country attributed
Not established
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Historical period
Approximate author period: c. 1790 AD · early modern
author lifetime midpoint (1749–1832); not quotation composition date
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Recorded source
Maxims and Reflections (1906) (1906 AD)

Printed maxim 219; Bailey Saunders English translation, New York: The Macmillan Company,1906

A collection's publication date can be later than the words it records.

The voice behind the words.

Goethe: Painted portrait, 1828

Listed in the author section of Bartlett’s ninth-edition anthology, in the linked 1905 printing. Dates reflect that historical edition and may differ from modern scholarship.

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