quote · Source-linked selection
The bird is an instrument which operates by mathematical laws, and man can reproduce all the movements of this instrument, but cannot attain to the intensity of its power; and can only succeed in acquiring balance. Thus we will say that such an instrument constructed by man lacks only the soul of the bird, and the soul of man must counterfeit the soul of the bird. The spirit in the frame of the bird doubtless would respond to needs of that frame better than would the spirit of man, whose frame is different, more especially in the almost insensible motions of balance; and since we see the bird make provision for the many sensible varieties of movement, we can conclude by such experience that man can acquire knowledge of the more markedly sensible of these movements, and that he will be able to make ample provision against the destruction of that instrument of which he has made himself the spirit and the guide.
The bird is an instrument which operates by mathematical laws, and man can reproduce all the movements of this instrument, but cannot attain to the intensity of its power; and can only succeed in acquiring balance. Thus we will say that such an instrument constructed by man lacks only the soul of the bird, and the soul of man must counterfeit the soul of the bird. The spirit in the frame of the bird doubtless would respond to needs of that frame better than would the spirit of man, whose frame is different, more especially in the almost insensible motions of balance; and since we see the bird make provision for the many sensible varieties of movement, we can conclude by such experience that man can acquire knowledge of the more markedly sensible of these movements, and that he will be able to make ample provision against the destruction of that instrument of which he has made himself the spirit and the guide.
Approximate author period: c. 1486 AD · medieval
Meaning not yet available
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Begin with source-checked readings and explanations ↗Attribution & collection notes
- Author or tradition
- Leonardo da Vinci
Attribution: attributed - Country attributed
- Not established
A country attribution does not establish the earliest origin. - Historical period
- Approximate author period: c. 1486 AD · medieval
author lifetime midpoint (1452–1519); not quotation composition date
An author lifetime, approximate period or collection date is not necessarily the date when these words were first written or spoken. - Recorded source
- Thoughts on Art and Life (1906 English edition) (1906 AD)
Thoughts on Science, complete printed unit 22; Maurice Baring translation; Boston: The Merrymount Press,1906
A collection's publication date can be later than the words it records.
The voice behind the words.
Represented by the complete source-numbered selections in Thoughts on Art and Life, Maurice Baring’s1906English translation, edited by Lewis Einstein. The catalogue records1452–1519; the historical collection is a selection from notebooks, not a continuous book composed by Leonardo or independent authentication of every attributed passage.
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