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The Art and Power of False Interpretations.—All the visions, terrors, torpors, and ecstasies of saints are well-known forms of disease, which are only, by reason of deep-rooted religious and psychological errors, differently explained by him, namely not as diseases. Thus, perhaps, the Daimonion of Socrates was only an affection of the ear, which he, in accordance with his ruling moral mode of thought, expounded differently from what would be the case now. It is the same thing with the madness and ravings of the prophets and soothsayers; it is always the degree of knowledge, fantasy, effort, morality in the head and heart of the interpreters which has made so much of it. For the greatest achievements of the people who are called geniuses and saints it is necessary that they should secure interpreters by force, who misunderstand them for the good of mankind.

The Art and Power of False Interpretations.—All the visions, terrors, torpors, and ecstasies of saints are well-known forms of disease, which are only, by reason of deep-rooted religious and psychological errors, differently explained by him, namely not as diseases. Thus, perhaps, the Daimonion of Socrates was only an affection of the ear, which he, in accordance with his ruling moral mode of thought, expounded differently from what would be the case now. It is the same thing with the madness and ravings of the prophets and soothsayers; it is always the degree of knowledge, fantasy, effort, morality in the head and heart of the interpreters which has made so much of it. For the greatest achievements of the people who are called geniuses and saints it is necessary that they should secure interpreters by force, who misunderstand them for the good of mankind.

Approximate author period: c. 1872 AD · industrial

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Attribution & collection notes
Author or tradition
Friedrich Nietzsche
Attribution: attributed
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Not established
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Historical period
Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
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Recorded source
Human, All-Too-Human, Part 1 (1909 English edition) (1909 AD)

Part1, complete printed aphorism 126; Helen Zimmern translation; Edinburgh and London: T.N. Foulis,1909

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Friedrich Nietzsche: Photographic portrait, 1882

Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.

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