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Subjective or so-called sentimental poetry has now been admitted to an equality with objective and descriptive. This was inevitable; because otherwise the whole of modern poetry would have to be discarded. It is now obvious that when men of truly poetical genius appear, they will describe more of the particular feelings of the inner life than of the general facts of the great life of the world. This has already taken place to such a degree that we have a poetry without figures of speech, which can by no means be refused all praise.

Subjective or so-called sentimental poetry has now been admitted to an equality with objective and descriptive. This was inevitable; because otherwise the whole of modern poetry would have to be discarded. It is now obvious that when men of truly poetical genius appear, they will describe more of the particular feelings of the inner life than of the general facts of the great life of the world. This has already taken place to such a degree that we have a poetry without figures of speech, which can by no means be refused all praise.

Approximate author period: c. 1790 AD · early modern

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Attribution & collection notes
Author or tradition
Goethe
Attribution: attributed
Country attributed
Not established
A country attribution does not establish the earliest origin.
Historical period
Approximate author period: c. 1790 AD · early modern
author lifetime midpoint (1749–1832); not quotation composition date
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Recorded source
Maxims and Reflections (1906) (1906 AD)

Printed maxim 423; Bailey Saunders English translation, New York: The Macmillan Company,1906

A collection's publication date can be later than the words it records.

The voice behind the words.

Goethe: Painted portrait, 1828

Listed in the author section of Bartlett’s ninth-edition anthology, in the linked 1905 printing. Dates reflect that historical edition and may differ from modern scholarship.

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