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Since the eye is the window of the soul, the soul is always fearful of losing it, so much so that if a man is suddenly frightened by the motion or an object before him, he does not with his hands protect his heart, the source of all life; nor his head, where dwells the lord of the senses; nor the organs of hearing, smell and taste. But as soon as he feels fright it does not suffice him to close the lids of his eyes, keeping them shut with all his might, but he instantly turns in the opposite direction; and still not feeling secure he covers his eyes with one hand, stretching out the other to ward off the danger in the direction in which he suspects it to lie. Nature again has ordained that the eye of man shall close of itself, so that remaining during his sleep without protection it shall suffer no hurt.

Since the eye is the window of the soul, the soul is always fearful of losing it, so much so that if a man is suddenly frightened by the motion or an object before him, he does not with his hands protect his heart, the source of all life; nor his head, where dwells the lord of the senses; nor the organs of hearing, smell and taste. But as soon as he feels fright it does not suffice him to close the lids of his eyes, keeping them shut with all his might, but he instantly turns in the opposite direction; and still not feeling secure he covers his eyes with one hand, stretching out the other to ward off the danger in the direction in which he suspects it to lie. Nature again has ordained that the eye of man shall close of itself, so that remaining during his sleep without protection it shall suffer no hurt.

Approximate author period: c. 1486 AD · medieval

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Attribution & collection notes
Author or tradition
Leonardo da Vinci
Attribution: attributed
Country attributed
Not established
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Historical period
Approximate author period: c. 1486 AD · medieval
author lifetime midpoint (1452–1519); not quotation composition date
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Recorded source
Thoughts on Art and Life (1906 English edition) (1906 AD)

Thoughts on Life, complete printed unit 54; Maurice Baring translation; Boston: The Merrymount Press,1906

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Leonardo da Vinci: Drawn portrait

Represented by the complete source-numbered selections in Thoughts on Art and Life, Maurice Baring’s1906English translation, edited by Lewis Einstein. The catalogue records1452–1519; the historical collection is a selection from notebooks, not a continuous book composed by Leonardo or independent authentication of every attributed passage.

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