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Revenge in Praise.—Here we have a written page which is covered with praise, and you call it flat; but when you find out that revenge is concealed in this praise you will find it almost too subtle, and you will experience a great deal of pleasure in its numerous delicate and bold strokes and similes. It is not the man himself, but his revenge, which is so subtle, rich, and ingenious: he himself is scarcely aware of it.

Revenge in Praise.—Here we have a written page which is covered with praise, and you call it flat; but when you find out that revenge is concealed in this praise you will find it almost too subtle, and you will experience a great deal of pleasure in its numerous delicate and bold strokes and similes. It is not the man himself, but his revenge, which is so subtle, rich, and ingenious: he himself is scarcely aware of it.

Approximate author period: c. 1872 AD · industrial

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Attribution & collection notes
Author or tradition
Friedrich Nietzsche
Attribution: attributed
Country attributed
Not established
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Historical period
Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
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Recorded source
The Dawn of Day (1911 English edition) (1911 AD)

The Dawn of Day, complete printed unit 228; John McFarland Kennedy translation; New York: The MacMillan Company,1911

A collection's publication date can be later than the words it records.

The voice behind the words.

Friedrich Nietzsche: Photographic portrait, 1882

Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.

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