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Perhaps the central question about [Eliot] Porter's work is about the relationship between science, aesthetics, and environmental politics. His brother, the painter and critic Fairfield Porter, wrote in a 1960 review of [Porter's] colour photographs: 'There is no subject and background, every corner is alive,' and this suggests what an ecological aesthetic might look like.

Perhaps the central question about [Eliot] Porter's work is about the relationship between science, aesthetics, and environmental politics. His brother, the painter and critic Fairfield Porter, wrote in a 1960 review of [Porter's] colour photographs: 'There is no subject and background, every corner is alive,' and this suggests what an ecological aesthetic might look like.

Approximate author period: c. 1961 AD · modern

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Attribution & collection notes
Author or tradition
Rebecca Solnit
Attribution: attributed
Country attributed
Not established
A country attribution does not establish the earliest origin.
Historical period
Approximate author period: c. 1961 AD · modern
Approximate author-period anchor from documented birth year 1961; activity date not established; Wikidata Q2134968, https://www.wikidata.org/wiki/Q2134968 (accessed 2026-10-08). Not a quotation composition date.
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Recorded source
Contributor-provided quotation collection

Supplied reference C; CSV row 363323; supplied attribution, independently unverified

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